In “The Lord of the Rings,” trilogy a young hobbit named Frodo, is picked to go on a journey to destroy an all powerful ring. These rings were created to give unearthly power to whoever possessed them. One was created to rule over all of them. Frodo was picked because his heart was pure and wouldn’t be so easily corrupted by its power.
Judah and the Lion’s latest music video, “Suit and Jacket” continues the folk-hop band’s 7-year conversation with youth, adulthood, death and meaning within the context of a new outer-space theme. The video, off their new Folk Hop and Roll Deluxe album, features an opening scene with band members Judah Lee Akers, Nate Zuercher, Brian Macdonald and Spencer Cross sitting in a small blue-lit bedroom. Akers sings, “I ain’t trading my youth for no suit and jacket.” His is a common refrain within the lyricism of the band. He continues, “I ain’t giving my freedom for your money and status,” folding imaginary bills in his left hand.
I like to laugh. I like action. I like smart-ass characters and clever dialogue. Needless to say, I loved the “Guardians of the Galaxy 1” Like so many others, I waited with joyful anticipation for “Guardians of the Galaxy 2.”
I’ve read other reviews that weren’t very positive and all I have to say is, It’s based on a comic-book and it’s only a 2-hour 18-minute movie. It’s longer than the average movie but there is only so much character development you are going to be able to cram into 138 minutes, but for what it is, the writers did a hell of a job. The story reveals more well-rounded characters and yes, I felt the attraction between Quill and Gamora even though it was just one of many character relationships forming. As far as pacing, there is a lot of story going on in this movie. The writers are trying to tell an important back-story about Quill and his origin, bring us to the major conflict in this film and set up for the next movie all the while giving us more character development than you would expect in a movie based on a comic-book starring a variety of alien creatures.
Have you ever forgotten your keys? Ever worried about where your luggage went when you checked it through the airline?
Mu Tag is a Kickstarter-turned-product that’ prepared to change the way we find lost items. It’s pretty simple. Attach a $25 Mu Tag to any item and it will track the item with a tiny GPS sensor. Then connect the tag to your phone and give the tag a name for the item. Then you can track that item anywhere, anytime. The battery on each Mu Tag lasts three months.
The world’s smallest consumer tracking device should prove to be an unforgettable new offer in tech, and for lost luggage.
What do you think? Worth the $25?
Sara Barielles is in the midst of a ten-week run as Jenna, a Southern pie-maker stuck in a loveless marriage in the popular Broadway musical, “Waitress.” What’s more daunting than the play itself is that Barielles is a Broadway novice taking over the lead role previously held by Tony winner Jessie Mueller. Despite previous nervous energy, Barielles, who wrote the play’s music and lyrics, seems to be thriving.
I hate the film Guardians of the Galaxy. I hate it. I understand that my position is not a popular one; but then again, I never really was that popular. Need proof? Look me up in the high school yearbook.
I hate the film and everything about it, from its Kevin Bacon inspired jokes to its talking Raccoon. I have spent the better part of the last two years trying to convince the rest of you, that I am right. With the sequel arriving in theaters, I will give this one another go.
I hate Guardians for one simple reason: lazy storytelling. Essentially, Guardians of the Galaxy (2014) is a carbon-copy of the Avengers (2012) formula, just with a relatively obscure series from deep within the Marvel vaults. And yes, before you start questioning me and my fan-boy creds, I am in fact one of some twenty-five people who has ACTUALLY read the Guardian’s books.
The film “Dallas Buyers Club”, starring Matthew McConauhey in his Academy Award winning role, is about Ron Woodroof, a man exposed to the AIDS virus who starts a buyers club – a network of infected individuals that help each other get life-saving medication.
The homophobic, free wheeling cowboy Ron contracts the HIV virus through the casual sex he has on a regular basis. The disease, stigmatized at the time as a “gay man’s” ailment, forces Ron into personal hiding, as he’s affronted with homophobic slurs despite his heterosexual lifestyle.
Theresa May Wants a Majority of One’s Own..
Britain heads to the polls June 8th. In the words of swinging 1960s Londoner Alfie, “What’s it all about?” Fear not, Boblius is here to answer all of your questions…
Didn’t they just have an election in England? Over that Brexit thing?
Yes but that was a plebiscite about whether to leave the European Union, not who to send to Parliament. The government put this divisive policy question directly in the hands of the voters who chose to leave the E.U.
Monday, April 24, was this year’s Yom HaShoah–Holocaust Remembrance Day. There are a great many books on the subject, from The Diary of Anne Frank to MAUS and beyond. But one of my long-time favorites is the story of a family recognized by Yad Vashem as “Righteous among the Nations” for their work in saving Dutch Jews: The Hiding Place by Corrie ten Boom, with John and Elizabeth Sherrill.
Not often do fans of the infamously melancholy Lana Del Rey get to hear a song that is genuinely happy. Yet this is precisely the kind of song that the singer’s new single “Love” is. For the girl known for penning songs like “Sad Girl” and “Pretty When You Cry”, “Love” couldn’t be more pleasantly opposite.
Del Rey, who released the song as a lead single for her upcoming album Lust for Life, has made a notable departure from her typically depressive, sultry style to create something blissful: an unadulterated love song. “Love,” a tribute to young romance, speaks straight from the mouth of enamored youth itself, as the chorus goes: “You get ready, you get all dressed up / to go nowhere in particular/ Back to work or the coffee shop / Doesn’t matter because it’s enough to be young and in love.”
The Outlaw Josey Wales is arguably one of the best Western films of all times. The film is a spaghetti Western directed by and starring the face of Westerns, Clint Eastwood. The Outlaw Josey Wales follows a Josey, played by Clint Eastwood, a Missouri farmer. The Union Army kills Josey’s family so he joins up with the Confederates to exact revenge. His unit is a guerilla Confederate group that is coerced into surrendering at the end of the Civil War.
However, the Union soldiers execute them anyway. Josey escapes the massacre. He’s now on the run from the entire Union militia and bounty hunters seeking the $5,000 on his head—no small amount back then. Josey’s travels accumulate his own posse of misfits. They settle down at a ranch near Santo Rio but the sanctuary doesn’t stay safe long. The Union finds them. An all out assault on the ranch ends with Josey and his crew victorious. More bounty hunters come by the local town but everyone comes to an unspoken agreement that the war is over. They are done killing.
(B&B is in the public domain of everyone’s childhood so Boblius refuses to acknowledge plot details as “spoilers.”)
Before he’s THE BEAST, Beast is a tax-and-spend Prince. He vacuums income from the subjects of his French village to throw lavish parties where he prances around like Agador from The Birdcage (but somehow isn’t the gay character people are up in arms about?). The villagers are happy to RSVP in the affirmative for pre-Beast’s parties as long as he doesn’t mock them.
When a disheveled and smelly (one assumes) crone stumbles into pre-Beast’s latest party offering a single rose in exchange for shelter during a horrific storm, he laughs her offer away. Only pre-Beast gives out the roses in this edition of Bizarro Bachelor. For his haughtiness, the crone reveals herself to be an Enchantress (we wouldn’t want to call her a witch in a movie starring Hermione) then transforms pre-Beast into THE (CGI) BEAST. Finally. Now he looks like the Beast from our childhood. Whew. (more…)
The Incredibles is a wonderful film full of metaphor and visual splendor. Brought to the world by the brilliant storytellers at Pixar, marking their last in a brilliant string of classic films cut short by the stale Cars two years later. The Incredibles is about a family of superheroes who are no longer “legally” allowed to use their powers. The government hides and subsidizes them to not use their powers. Bob’s family has issues not terribly different from those without superpower but they are content with this life. Bob, however, is increasingly dissatisfied with his role as a spineless bureaucrat. He spends his nights listening to a police scanner, breaking the law, and saving lives. He is offered a secret job stress testing a weapon on a remote island.
Jason David Frank – or maybe you better remember him as Tommy Oliver – has to be credited as one of the driving forces behind the new Power Rangers movie. After the internet hyped some really great Power Ranger shorts, JDF approached series creator Haim Saban about the possibility of a mature Power Ranger movie following the Green Ranger (which would have been awesome to watch). Instead of limiting the film to just the Green Ranger, we get a full cinematic reboot of the series in the new film Power Rangers (2017).
These Rangers are very different from the ones we remember. While in the series Zordon instructs Alpha to recruit “teenagers with attitude,” the original Power Rangers severely lack the attitude. They are essentially “squeaky-clean” kids with martial arts skills. These new Power Rangers – screw ups, trouble makers, and even bullies – are edgier, bringing a certain amount of depth and realism to the characters. While the purists might see this as tainting the beloved heroes, to true intention is to sever the “campiness” which defined the series in favor of something more “realistic”.
(Get Out of this page if you don’t want any spoilers.)
Yes, the Armitage family is cool. So hip! Rose (Allison Williams) is a knockout AND willing to stick up for her black boyfriend, Chris (Daniel Kaluuya), when a white cop gives him a hard time. They arrive at her parents’ estate where her parents don’t disappoint. They have created an environment where their kids are comfortable swearing in front of them. And talking about sex! Hell, Dean (Bradley Whitford) and Missy (Catherine Keener) even let them stay in the same bedroom. So chill! Despite Dean’s clumsy (but genuine) praise of Obama as opening conversation with a black man, their coolness is still intact by nightfall. Should we be worried yet?
(Note: Boblius is rarely invited to studios’ critic screenings therefore at Get Out he found himself seated near an older couple with a 4 year old girl. Yes, these grandparents brought their granddaughter to Get Out. More on this later.)
Baseball, our national pastime. For a while there, it seemed like baseball, the sport built on tradition, was not going to stand the test of time. With spring training coming to a close, it seems like baseball fans everywhere should optimistically look forward to a great season.
So why has baseball struggled?
For the early part of the new millennium, baseball has had an issue of branding. After the steroid era, the sport was in a real funk. Having to rebuild a brand, and rethink a sport which had celebrated offensive power for at least a decade. Baseball also needed to regain trust. Trust of the many players who were seemingly thrown under the bus during the steroid witch hunts, and trust of the fans who felt they had been cheated and deceived by the league. Almost a decade removed from the congressional hearings and Department of Justice investigations, the sport seems to be leaving the past in the past and a new baseball is emerging.
“Mad Max: Fury Road” is a story about a group people who, quite literally, break the chains of their bondage and rise up against authoritarianism.
In the film, Tom Hardy’s character (Max) is captured and enslaved, his only purpose in life to provide clean blood to the ruling class’s warriors. Meanwhile, Immortan Joe, the land’s ruler, maintains power with an iron fist forged by military might and the flow of resources. Joe keeps his people in line, keeps his subjects suppressed, by restricting their access to water – then preaching his necessity and humility when he allows a few drops to fall on the masses.
Are you a liberty-minded director, writer, or producer? Bring your perspective to the Liberty Lab for Film (LLF) to fine tune your craft as a filmmaker and storyteller while making a great, professional quality short film or web series.
LLF is an advanced program from Taliesin Nexus, a nonprofit 501(c)(3) organization, for those who have filmmaking, screenwriting, or producing experience eager to work alongside like-minded creatives with the guidance of seasoned professionals such as Daniel Knauf, (executive producer, NBC’s The Blacklist) Adam Simon, (creator of the FOX series Salem) screenwriters Bill Marsilii (Deja Vu, Cold), Paul Guay (Liar Liar), David H. Steinberg (American Pie 2) and Erica Beeney (The Battle for Shaker Heights and “Project Greenlight” winner) in making your film.
If selected, you will receive $10,000 to make your short film and embark on a 100 day development and writing phase, before moving into production and post. You and your team will work together from script development until your film or web series premieres at our gala SmashCut screening in Los Angeles and/or selected cities across the country.
LLF participants will also take part in CineShots, intimate discussions focusing on screenwriting, producing, directing, and post-production lead by industry veterans. Participants will also receive a free copy of Final Draft 10 (valued at $249), the industry’s leading screenwriting software.
The LLF is not for the faint of heart. You will undergo a compressed studio experience including script development, pre-production, production, post-production, and editing before finally seeing your film on the big screen!
(Taliesin Nexus is the owner and operator of the SmashCut Culture blog.)
Despite the surprising maturity that Hannah found in the first half of “Girls’” final season, episode six proves trying in familiar ways. Hannah gets a ridiculous idea in her head: that she has no obligation to tell Paul-Louie she is bearing his child.
Kudos to the even-handedness of the writers for including characters that think this is an extremely unfair and unreasonable decision on Hannah’s part. Thankfully, towards the end of the episode, she starts to come around and she even tries to contact him. Hopefully she follows through.
This film is about a lawyer who gets trapped up in a government conspiracy. The director of the NSA is involved in killing a man and he was caught on camera. The man who filmed it is found out through NSA spying and runs the video over to his friend who is a lawyer before jumping into traffic. The lawyer now is on the run from the NSA hit-man and cleverly gets the mob involved to “kill two birds with one stone.”
A new liberty-oriented project in Portland, OR recently launched a campaign on Kickstarter to raise money for a summer project that will use “creative energy to spotlight Oregon’s criminal justice system and activate change.”
Arts and Minds (a project of the non-profit Spark Freedom) plans to host a block party where members of the community come together for a day to paint a collaborative mural that tells the story of the criminal justice system in Oregon. United by a passion for freedom and criminal justice reform, attendees will engage in a city-wide “experiment in grassroots artistic activism.”
(Spoilers? Just some mild ones, bub.)
Yes, it’s good to see Wolverine in action again. Pairing him with a mini-me (or mini-him… er, actually a female mini-him) smelled like a big fat gimmick upon first glance (or whiff) but Wolver-tween is interesting, entertaining… and jarring. Seeing her decapitate an enemy was oddly refreshing. Why?
So much happened in episodes 4 and 5 that it’s hard to know where to start. I resort to a list:
- Hannah interviews a female writer that tells her “childlessness in the natural state of the female author.”
- Hannah finds out (via an embarrassing encounter with a previous love interest/doctor) that she is pregnant from her rendezvous with the surf camp instructor in episode one.
- Hannah decides to keep the baby even though she has a mounting list of reasons why she probably isn’t ready.
- Jessa and Adam decide to make a movie together about their past with Hannah. Jessa doesn’t like Adam’s representation of his previous relationship.
- Marnie is still seeing Desi, but in therapy. And her narcissism is at peak Marnie. She declares that she has bruises all over her body from the two-hour massages that she needs in order to deal with the stress of Desi’s addiction.
- Ray realizes that Marnie is cheating on him and he eventually breaks up with her.
- Ray’s friend Hermie dies suddenly, leaving Ray to reevaluate his own life.
- Elijah does not take the news of Hannah’s pregnancy very well because he’s feeling particularly left behind compared to the life achievements of his friends. He tells Hannah that she’ll be a terrible mother.
- Hannah’s mother, Loraine, also doesn’t like the news of the pregnancy and she tells Hannah, “Every time I look at your baby, I’m going to see my own death.”