Marvel’s first film of 2018 is all queued up so check out these fake spoilers…
I never grew up reading the Captain Underpants book series by Dave Pilkey; they were as us old-folks say “before my time.” Still, something about the trailer spoke to me, and I found myself watching the film Captain Underpants: The First Epic Movie (2017).
In the film, best friends Harold and George, a storyteller-artist tandem obsessed with creating comic books, find themselves at odds with their fascist Principal Krupp. The Principal is obsessed with order, structure, and efficiency; all of which come at the expense of his student’s creativity, and innovation. With the use of a cereal-box hypno-ring, the two hypnotize Principal Krupp into believing he is the embodiment of their comic book magnum opus, Captain Underpants. With Captain Underpants as their principal, their harmless pranks become a welcomed addition to school, and art and music are returned to the school curriculum. They spend their day helping the Captain blend in as a convincing principal, and making sure he does not accidentally return to his natural Krupp state.
What would happen if everyone was connected via social media? What if all their information was public? What if there were cameras literally everywhere to make sure that any and every experience was accessible to all? What if people voluntarily agreed to this world because a slick talking ceo convinced them it was better? These are just some of the questions raised by “The Circle.”
While many critics didn’t like “The Circle,” I actually thoroughly enjoyed it. I think some of those issues came from the marketing of this movie, as the film isn’t really worthy of the title “gripping thriller” that it claimed. “Thought-provoking drama” is more appropriate. The story starts when Mae (Emma Watson) gets a job at “The Circle,” which is like the love child of Apple and Facebook.
I don’t know about you, but I have been anxiously awaiting a “Wonder Woman” feature film since rumors circulated in the late ’90s of one starring Sandra Bullock. For me, the films near twenty-years in pre-production hell was well worth the wait.
For starters, “Wonder Woman” is the film that we needed to finally prove the Exec’s wrong. The belief that female superhero films cannot be successful is farce! You may remember leaked emails from 2015 revealing their suspicions that female characters were not a draw in the box-office. The failure of female comic book movies – or any comic book movies for that matter – has nothing to do with the sex, gender, or ability of the character. No instead, as fans have always maintained, the failure of comic book films is the result of shoddy film making at the hands of filmmakers who do not understand the properties they are working with. “Wonder Woman” is a film seeming created by those who seem to understand, and love, the character. And what a difference it makes.
I first watched the trailer on the same day the first episode aired and was instantly intrigued. The history buff inside me initially took it as a historical series due to Elizabeth Moss’s hood and petticoat. As the video went on I realized that the plot was much more complicated than meets the eye.
Of course, this was all happening in the middle of finals week, so I decided to postpone watching the series until after my exams were done; until then I did a reasonable amount of research. To be brutally honest: prior to watching the promo, I had never heard of Margaret Atwood’s feminist novel. The plot immediately blew me away—set in New England, a Christian fundamentalist group overthrows the U.S. government, replacing the Constitution with a very strict, Puritan-esqe version of the Bible. Bit by bit modern working women are stripped of their jobs, bank accounts, and identities. They are reduced to their fertility and levels of obedience. The fertile ones become “handmaids” forced to bear children for the new society’s elite and their barren wives.
Have you seen this commercial for Ancestry.com, one of the genetic testing companies?
Kyle’s self-identification, based upon how he was raised and his family’s perception, was German-American but after genetic testing in the service of researching family history, he discovered his ancestors were primarily Scottish.
Adam Carolla and Dennis Prager are teaming up to make a new documentary about the “safe space” phenomenon that is plaguing college campuses across America. The pair has been filming for the past few months, but now they’ve launched an Indiegogo campaign for $500,000 to help them continue production on “No Safe Spaces.”
Have you ever heard of the GI Film Festival? Since 2007, this annual festival has been building community and film-making around subjects of military and veteran experience. The festival is “dedicated to preserving the stories of American veterans past and present through film, television and live special events.”
In “The Lord of the Rings,” trilogy a young hobbit named Frodo, is picked to go on a journey to destroy an all powerful ring. These rings were created to give unearthly power to whoever possessed them. One was created to rule over all of them. Frodo was picked because his heart was pure and wouldn’t be so easily corrupted by its power.
Judah and the Lion’s latest music video, “Suit and Jacket” continues the folk-hop band’s 7-year conversation with youth, adulthood, death and meaning within the context of a new outer-space theme. The video, off their new Folk Hop and Roll Deluxe album, features an opening scene with band members Judah Lee Akers, Nate Zuercher, Brian Macdonald and Spencer Cross sitting in a small blue-lit bedroom. Akers sings, “I ain’t trading my youth for no suit and jacket.” His is a common refrain within the lyricism of the band. He continues, “I ain’t giving my freedom for your money and status,” folding imaginary bills in his left hand.
I like to laugh. I like action. I like smart-ass characters and clever dialogue. Needless to say, I loved the “Guardians of the Galaxy 1” Like so many others, I waited with joyful anticipation for “Guardians of the Galaxy 2.”
I’ve read other reviews that weren’t very positive and all I have to say is, It’s based on a comic-book and it’s only a 2-hour 18-minute movie. It’s longer than the average movie but there is only so much character development you are going to be able to cram into 138 minutes, but for what it is, the writers did a hell of a job. The story reveals more well-rounded characters and yes, I felt the attraction between Quill and Gamora even though it was just one of many character relationships forming. As far as pacing, there is a lot of story going on in this movie. The writers are trying to tell an important back-story about Quill and his origin, bring us to the major conflict in this film and set up for the next movie all the while giving us more character development than you would expect in a movie based on a comic-book starring a variety of alien creatures.
Have you ever forgotten your keys? Ever worried about where your luggage went when you checked it through the airline?
Mu Tag is a Kickstarter-turned-product that’ prepared to change the way we find lost items. It’s pretty simple. Attach a $25 Mu Tag to any item and it will track the item with a tiny GPS sensor. Then connect the tag to your phone and give the tag a name for the item. Then you can track that item anywhere, anytime. The battery on each Mu Tag lasts three months.
The world’s smallest consumer tracking device should prove to be an unforgettable new offer in tech, and for lost luggage.
What do you think? Worth the $25?
Sara Barielles is in the midst of a ten-week run as Jenna, a Southern pie-maker stuck in a loveless marriage in the popular Broadway musical, “Waitress.” What’s more daunting than the play itself is that Barielles is a Broadway novice taking over the lead role previously held by Tony winner Jessie Mueller. Despite previous nervous energy, Barielles, who wrote the play’s music and lyrics, seems to be thriving.
I hate the film Guardians of the Galaxy. I hate it. I understand that my position is not a popular one; but then again, I never really was that popular. Need proof? Look me up in the high school yearbook.
I hate the film and everything about it, from its Kevin Bacon inspired jokes to its talking Raccoon. I have spent the better part of the last two years trying to convince the rest of you, that I am right. With the sequel arriving in theaters, I will give this one another go.
I hate Guardians for one simple reason: lazy storytelling. Essentially, Guardians of the Galaxy (2014) is a carbon-copy of the Avengers (2012) formula, just with a relatively obscure series from deep within the Marvel vaults. And yes, before you start questioning me and my fan-boy creds, I am in fact one of some twenty-five people who has ACTUALLY read the Guardian’s books.
The film “Dallas Buyers Club”, starring Matthew McConauhey in his Academy Award winning role, is about Ron Woodroof, a man exposed to the AIDS virus who starts a buyers club – a network of infected individuals that help each other get life-saving medication.
The homophobic, free wheeling cowboy Ron contracts the HIV virus through the casual sex he has on a regular basis. The disease, stigmatized at the time as a “gay man’s” ailment, forces Ron into personal hiding, as he’s affronted with homophobic slurs despite his heterosexual lifestyle.
Theresa May Wants a Majority of One’s Own..
Britain heads to the polls June 8th. In the words of swinging 1960s Londoner Alfie, “What’s it all about?” Fear not, Boblius is here to answer all of your questions…
Didn’t they just have an election in England? Over that Brexit thing?
Yes but that was a plebiscite about whether to leave the European Union, not who to send to Parliament. The government put this divisive policy question directly in the hands of the voters who chose to leave the E.U.
Monday, April 24, was this year’s Yom HaShoah–Holocaust Remembrance Day. There are a great many books on the subject, from The Diary of Anne Frank to MAUS and beyond. But one of my long-time favorites is the story of a family recognized by Yad Vashem as “Righteous among the Nations” for their work in saving Dutch Jews: The Hiding Place by Corrie ten Boom, with John and Elizabeth Sherrill.
Not often do fans of the infamously melancholy Lana Del Rey get to hear a song that is genuinely happy. Yet this is precisely the kind of song that the singer’s new single “Love” is. For the girl known for penning songs like “Sad Girl” and “Pretty When You Cry”, “Love” couldn’t be more pleasantly opposite.
Del Rey, who released the song as a lead single for her upcoming album Lust for Life, has made a notable departure from her typically depressive, sultry style to create something blissful: an unadulterated love song. “Love,” a tribute to young romance, speaks straight from the mouth of enamored youth itself, as the chorus goes: “You get ready, you get all dressed up / to go nowhere in particular/ Back to work or the coffee shop / Doesn’t matter because it’s enough to be young and in love.”
The Outlaw Josey Wales is arguably one of the best Western films of all times. The film is a spaghetti Western directed by and starring the face of Westerns, Clint Eastwood. The Outlaw Josey Wales follows a Josey, played by Clint Eastwood, a Missouri farmer. The Union Army kills Josey’s family so he joins up with the Confederates to exact revenge. His unit is a guerilla Confederate group that is coerced into surrendering at the end of the Civil War.
However, the Union soldiers execute them anyway. Josey escapes the massacre. He’s now on the run from the entire Union militia and bounty hunters seeking the $5,000 on his head—no small amount back then. Josey’s travels accumulate his own posse of misfits. They settle down at a ranch near Santo Rio but the sanctuary doesn’t stay safe long. The Union finds them. An all out assault on the ranch ends with Josey and his crew victorious. More bounty hunters come by the local town but everyone comes to an unspoken agreement that the war is over. They are done killing.
(B&B is in the public domain of everyone’s childhood so Boblius refuses to acknowledge plot details as “spoilers.”)
Before he’s THE BEAST, Beast is a tax-and-spend Prince. He vacuums income from the subjects of his French village to throw lavish parties where he prances around like Agador from The Birdcage (but somehow isn’t the gay character people are up in arms about?). The villagers are happy to RSVP in the affirmative for pre-Beast’s parties as long as he doesn’t mock them.
When a disheveled and smelly (one assumes) crone stumbles into pre-Beast’s latest party offering a single rose in exchange for shelter during a horrific storm, he laughs her offer away. Only pre-Beast gives out the roses in this edition of Bizarro Bachelor. For his haughtiness, the crone reveals herself to be an Enchantress (we wouldn’t want to call her a witch in a movie starring Hermione) then transforms pre-Beast into THE (CGI) BEAST. Finally. Now he looks like the Beast from our childhood. Whew. (more…)
The Incredibles is a wonderful film full of metaphor and visual splendor. Brought to the world by the brilliant storytellers at Pixar, marking their last in a brilliant string of classic films cut short by the stale Cars two years later. The Incredibles is about a family of superheroes who are no longer “legally” allowed to use their powers. The government hides and subsidizes them to not use their powers. Bob’s family has issues not terribly different from those without superpower but they are content with this life. Bob, however, is increasingly dissatisfied with his role as a spineless bureaucrat. He spends his nights listening to a police scanner, breaking the law, and saving lives. He is offered a secret job stress testing a weapon on a remote island.
Jason David Frank – or maybe you better remember him as Tommy Oliver – has to be credited as one of the driving forces behind the new Power Rangers movie. After the internet hyped some really great Power Ranger shorts, JDF approached series creator Haim Saban about the possibility of a mature Power Ranger movie following the Green Ranger (which would have been awesome to watch). Instead of limiting the film to just the Green Ranger, we get a full cinematic reboot of the series in the new film Power Rangers (2017).
These Rangers are very different from the ones we remember. While in the series Zordon instructs Alpha to recruit “teenagers with attitude,” the original Power Rangers severely lack the attitude. They are essentially “squeaky-clean” kids with martial arts skills. These new Power Rangers – screw ups, trouble makers, and even bullies – are edgier, bringing a certain amount of depth and realism to the characters. While the purists might see this as tainting the beloved heroes, to true intention is to sever the “campiness” which defined the series in favor of something more “realistic”.