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The Siege Movie Review

“The Siege,” starring Denzel Washington and Annette Bening, is a story of ‘blowback’ and the extreme measures government will implement to maintain control.

After the bombing of a U.S. facility abroad, American military forces capture and place in custody the man suspected to be responsible (the Sheik). It’s this action that sets off a chain reaction of retaliation. Soon after, in New York, unnamed Islamic terrorists attack the city and its people, demanding the Sheik’s release. Denzel, as the FBI’s chief counter-terror agent, chases the terrorist cells through the city, always rooting his actions in law and order, despite the directions of others. It’s when the terrorists blow up a federal building, killing 600, that the President steps in and declares martial law. The army goes block by block, door to door, and rounds up any and all Muslim people that fit their broad profile: male, 14-30 years of age. Beyond that, the military sees no moral conflict in torturing suspects for information, despite Denzel’s eloquent plea against it. In the end, the FBI works in the shadows to legally take down the terrorists and arrest the military men responsible for the reprehensible actions in the city.

This film deals with several major liberty themed points, namely: the idea of blowback, the morality of torture, law & justice, and the dangers of ‘racial profiling’. The film’s jumping off point is the tactical take-down of the Sheik, the man responsible for the bombing of an American facility abroad. While it is understandable to seek retribution for such an act, the film brings to light the idea of blowback – that foreign policy actions have unintended consequences. In this particular example, a “rouge” elements of the U.S. military engaged in his illegal extraction, undoubtedly invoking contempt that manifested itself in the bombings. This isn’t to say legal means of capturing the man would have had a different effect, but it is to say every action has an equal and opposite reaction.

Beyond this, though only a minor plot point, it is revealed that Annette Bening’s CIA trainees are the very same individuals now terrorizing the United States. In regards to torture, and martial law in general, Denzel’s character has a rather powerful monologue, in which he regards the current situation as “shredding the constitution”, and in that effect “they’ve already won”. Finally, one of the biggest thrusts of the film is in regards to Islam and people’s fear of it in the wake of religiously charged attacks. It is in this point that the film’s message is most relevant given current American fears and political rhetoric. To this, the film shows the “lump sum” attitude as misguided, as the large net the military stretches to round up the last remaining terrorist cells doesn’t even catch one lawbreaker. Instead, this net catches the innocent, a point made by Denzel’s Lebanese partner searching frantically for his 13 year old son in the large cages.

1) Is martial law ever a reasonable option?

2) Is it a coincidence that the military’s racial profiling of Muslim individuals was completely ineffective? Was this a conscious decision by the film-makers?

3) Is this film an indictment of America’s foreign policy? In what ways is it?

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Dallas Buyers Club Review

The film “Dallas Buyers Club”, starring Matthew McConauhey in his Academy Award winning role, is about Ron Woodroof, a man exposed to the AIDS virus who starts a buyers club – a network of infected individuals that help each other get life-saving medication.

The homophobic, free wheeling cowboy Ron contracts the HIV virus through the casual sex he has on a regular basis. The disease, stigmatized at the time as a “gay man’s” ailment, forces Ron into personal hiding, as he’s affronted with homophobic slurs despite his heterosexual lifestyle.

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Mad Max: Fury Road Movie Review

“Mad Max: Fury Road” is a story about a group people who, quite literally, break the chains of their bondage and rise up against authoritarianism.

In the film, Tom Hardy’s character (Max) is captured and enslaved, his only purpose in life to provide clean blood to the ruling class’s warriors. Meanwhile, Immortan Joe, the land’s ruler, maintains power with an iron fist forged by military might and the flow of resources. Joe keeps his people in line, keeps his subjects suppressed, by restricting their access to water – then preaching his necessity and humility when he allows a few drops to fall on the masses.

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“Contact” Movie Review

In the film “Contact” an astronomer (Ellie), considered fringe by many of her colleagues, discovers a radio signal transmitted deep in space, in essence, discovering alien life.
As the film opens, is clear to see that Ellie is pursuing her life’s dream: contacting intelligent life in space. However, soon after arriving to a large antenna in Central America, her project is shut down by the National Science Foundation (a federally funded program) who sees her work as frivolous. Steadfast, she lobbies for private funding and finds it with an eccentric billionaire who believes in her passion. It’s after this that she makes a breakthrough. On the verge of the government once again “icing them out”, she discovers a mysterious transmission flying through space, hurdling toward Earth.

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“A Scanner Darkly” Movie Review

Richard Linklater directs an all-star cast in the film “A Scanner Darkly”, the tale of an undercover cop in a futuristic, dystopian world, fighting on the front lines of the drug war, becoming a victim himself.

In the world the movie creates, we are only a few years down the road, in an America plagued by a dangerous new drug – Substance D. With the number of users growing and growing, the government instills a high-tech, rather invasive, security network, tracking phone calls, interpersonal interactions, and even recording you inside your home. Beyond this, they have developed a sophisticated informant network with undercover police officers, Keanu Reeves being one of them. It’s this element the action of the film revolves around – Reeves walking the line between cop and addict, the later taking over his world.

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Stasi-Hauptmann Gerd Wiesler (Ulrich M¸he) sitzt in dem Kinofilm "Das Leben der Anderen" auf dem Dachboden eines Hauses und belauscht die Vorg‰nge in der Wohnung die er beschattet. (undatierte Filmszene). "Das Leben der Anderen" ist am Dienstag (23.01.2007) in Los Angeles f¸r einen Oscar nominiert worden. Der Film ist einer von f¸nf Anw‰rtern in der Sparte nicht englischsprachiger Film. Die begehrtesten Filmpreise der Welt werden von der amerikanischen Filmkunst-Akademie in diesem Jahr am 25. Februar vergeben. Foto:  Buena Vista (ACHTUNG: Verwendung nur f¸r redaktionelle Zwecke im Zusammenhang mit der Berichterstattung ¸ber diesen Film!) +++(c) dpa - Report+++

“The Lives of Others” : A Warning Veiled in a Thriller

In the movie “The Lives of Others,” the STASI and oppression of the East German regime are revealed to the viewer through authoritarian techniques of surveillance and control prior to the fall of the Berlin Wall, the reunification of Germany and the collapse of communism in the region. Throughout this film, characters and scenes depict, in vivid detail, the attempts of the authoritarian East German government to instill unquestioning obedience and devotion to the state to ensure complete control. At face value, the baseline of the story seems heavy handed, but what the film truly draws is a tense thriller entwined with a morality play.

One especially powerful and telling scene is the planting of bugs at Dreyman’s house. After orders come from Minister Hempf to have continuous surveillance of Dreyman, Weisler and a team of STASI agents break into his house, plant equipment, and set up shop just upstairs in the loft of the building in order to watch, monitor, and record his every action.

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“Unforgiven”: Guns, Government, and the Non-Aggression Principle

s6zmsThe film “Unforgiven”, by the legendary Clint Eastwood, is a story of an aged outlaw who, with the help of his old partner and a young gunslinger, aim to kill and collect the bounty on two cowboys who attacked a prostitute in the small town of Big Whiskey. Eastwood, who plays the leading role (Will Munny) in the film, reluctantly joins the party aiming to kill the cowboys due to the fact that his departed wife would have been opposed. Once the trio of killers arrive in Big Whiskey, they are abruptly run out by the town’s heavy handed Sheriff, Little Bill. Thereafter they accomplish their mission, but with this comes tragedy. Munny’s partner, and close friend, Ned Logan, is captured by the law of Big Whiskey and killed for his crimes. Munny, upon finding this out, returns to Big Whiskey and exacts revenge on Little Bill and anyone who stands in his way.

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