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Every Modern Doctor Who Episode Ranked From Worst to Best, part 1: “I’m Sorry. I’m So Sorry.”

doc10opening[Updated with Season 9 episodes]

The Internet likes a good list, doesn’t it? A nice comprehensive, frivolous ranking of a beloved something or other?

All right then. Let’s do this. Let’s rank every episode of modern Doctor Who from worst to best in four weekly installments: “I’m sorry. I’m so sorry,” “Are these good episodes?”, “These episodes are cool,” and “Fantastic!”

I tried not to agonize over the exact rankings, because I wanted to be done this century, so assume a margin of error of plus or minus a few. If I did this a year later, the order would likely turn out differently. It’s all just my opinion, and I respect that you’ll likely disagree. (I know—how dare I rank that episode that low and that episode that high?) This is just for fun, a way to reflect on what’s been a great science fiction series overall.

I love Doctor Who even though not every episode is a winner, and I appreciate how hard it is to write for television. Both showrunners, Russell T Davies and Steven Moffat, have given us brilliant episodes, and both have been guilty of failing to rein in their excesses. Nevertheless, the show remains great on the whole, and I’m thankful for the many wonderfully entertaining hours both writers and their teams have given us.

But none of us are perfect. So in this first part, let’s get the misfires out of the way:

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AI featured

THIS is American Idol: Top 10… or, not so fast.

You know those moments when you think all is right with the world?
But then America just lets you down?

Well, this past week’s episode of American Idol was proving to be one of those very moments.  Until (thank the Lord above) those three AI angels swooped in to give us all a little peace.

This week, in “Movie Week,” each contestant sang a song from, well, a movie.  I had way too much fun predicting who was going to sing what, but for the most part, each one was pretty unpredictable.  Overall, there were three (maybe four) stellar performances – and they each came from the more obscure or unpredictable choices.  This is where I’ll begin.

Joey cook 3.19    JOEY hit another one out of the park!  She showed us her beautifully melancholy and emotional side with a gorgeous rendition of “Mad World” from Donnie Darko.  First, she turned some heads with her officially American Idol stylized new look – a short straight bob (still dyed blue), a frilly red plaid dress with knee high stockings, and a subtle homage to her signature red lipstick.  Still very “Joey” but a fresh and mature look nonetheless.  She abandoned her usual squeezebox or ukelele for a softer seated and hand held mic approach.  Just her, her voice, and the band.  It was the first breathtaking performance of the night – and all the judges agree.  She is so far the most untouchable (girl) of the competition.  And for some reason, I’m surprised by her every week – her choices are bold but she never fails to impress.  And last night she proved she’s more than just a quirky personality with a killer voice.  She’s no dummy – she definitely gets it.

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How to Manage Your Binge Watching Problem

yall-got-anymore-of-them-episodesWelcome to Binge Watchers Anonymous (BWA).

I promise, if you follow this simple schedule you can change your life for the better.  If you are like most binge watchers, when season three of House of Cards premiered Friday, Feb 27th on Netflix you were probably done with the 13 episode season by late Sunday night.  After waiting an entire year for the season to debut, you immediately consumed it in less time it took the series editors to edit one episode.  I understand, I’ve been there.  I cut the cord a long time ago.  No cable, no satellite.  My Netflix and Amazon Prime subscriptions were my only link to the “good” part of television.  I have rabbit ears for the occasional sporting event, local morning news, or American Idol (don’t judge me.)

Both Netflix and Amazon have been developing original series for a few years now, and unlike traditional television, they dump the entire season online at once for audiences to consume at their leisure or as fiendishly as possible.  Most people I know, make it a habit to binge watch all 13 or so episodes all at once because, well they can.  As one who’s engaged in the habit, I began to feel disappointed after it was all done.  Because it’s over too quickly.  Sure, I had control and got to maintain the momentum of the series at my own pace, but it was my weakness for cliffhangers that did me in. I began to miss the anticipation you get when having to wait a week to find out what happens next and to digest and savor that one great episode.  Game of Thrones is a great example.  I enjoy watching it week to week because it’s so good and I get months of enjoyment out of it instead of 13 hours over one weekend.

So, if you’ve ever considered trying to maintain a regular schedule of Netflix or Amazon Prime programming, then I have the solution for you.  It’s the BWA 13 Week Program.

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most wanted pilots

7 Most Wanted Pilot Scripts

blacklistStephanie Palmer over at Studio System News has compiled the seven most wanted tv pilot scripts for writers to download.  One of the best, easiest, and most fun ways to refine your own writing is to read other scripts, especially if they have been produced and as well received by critics and audiences alike.

Last year, Palmer assembled a similar list of 10, which included scripts from Breaking Bad, Mad Men, and The Office. With Mad Men about to join the other two in television’s retirement home, she has compiled a brand new list of seven current television hits.  Among the collection are pilot scripts for House of Cards, Masters of Sex and The Blacklist… 

… As for how The Blacklist came about, Bokenkamp said, “I was kicking around ideas with John Fox, a friend who’s also a producer on the show. He brought up an idea. Whitey Bulger (Boston organized-crime kingpin) was in the news then. What if a Whitey Bulger-type criminal was captured? What if you had a TV show that flashed back on where Hoffa was buried, who shot Kennedy? A bad guy who knew all the secrets, hopping around in time and place. I spent about three months developing it, coming up with a pitch.” Everybody passed on the show but NBC.

At the upfronts, Bob Greenblatt of NBC said Blacklist testing results were, “better than all other 125 NBC drama pilots in the past decade.”

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AI featured

THIS is American Idol… Top 12/11

AI XIVThis week there were two elimination nights in a row! Not sure how I feel about this – barely got to recover from the first one and we went barreling into the second a mere 24 hours later.  Just like that, we went from Top 14 to Top 11! Snap.

Now, considering there seem to be a number of changes to the show’s format, perhaps we’re heading into a double whammy every week – but for my own sanity, I hope not!  Firstly, this would make for quite a short season.  But more importantly, it doesn’t even give America the chance to grieve for each individual who parts ways with the iconic AI stage.  This is an important time in traditional American Idol that allows each viewer to realize the importance of their role in the contestants’ lives, as their favorite is so suddenly tossed aside and never heard from again. It is that very experience that makes each AI devotee commit to their right to vote – for fear of feeling responsible in another senseless American Idol cast off.  But I digress… too heavy?

Anyway, as a follow up to my predictions last week, let’s start there:

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Walking Dead

Super Comics: The Walking Dead #1-6 (2003-04)

the-walking-dead-comic-book-cover-01You might have heard about this little show on AMC called The Walking Dead that’s based on a comic book series of the same name, which has been going strong for something like 138 issues now.

For now, let’s just look at those first six issues, which are collected in the Days Gone Bye trade paperback, and compare them to the first season of the AMC show, which also happened to number six episodes. SPOILERS ahead (but just for that first season/first TPB).

Though they are different beasts, the similarities don’t end there.

The comic was created by writer Robert Kirkman and artist Tony Moore. Kirkman has written every issue of series, though Moore left after issue #6, and Charlie Adlard has kept things going from then on. The television show was brought to life by Frank Darabont of Shawshank Redemption fame (though he’s no longer the showrunner), and Kirkman has written some of the episodes.

That short first season of television is a mixed bag. The pilot episode is masterful. The second episode has some great tension. And then it’s a steady slide into mediocrity from there. The comic is more consistent in its quality level, though reading the first issue after watching the pilot makes the source material feel like the abridged version. An hour-long television show simply has much more room to breathe than a 20-or-so-page comic.

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8 Episodes of The Twilight Zone That Any Friend of Liberty Would Love – Part II

twilight-zone-movieIn Part I, we began our countdown with four episodes of The Twilight Zone that touched on fear of the unknown and how human’s natural instincts react to each other under a veil of suspicion.

For Part II, the list explores futures which are rooted in history, where oppressive states wield their power because they know what’s best for you and for the collective.  Rod Serling, the series’ creator and writer of most episodes, was a decorated WWII veteran and joined the military hoping to fight the Nazis. Serling instead was sent into the Pacific theater to fight against the Japanese.  Having witnessed death and the horrors of war so often, Serling returned to civilian life a strong opponent of military force, and even more opposed to fascistic governments as evidenced in the top three episodes.  But first, we continue with #4 and it’s study on neighborly responsibilities and self-reliance in the face of a looming crisis.

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AI girls

THIS is American Idol… The Girls

AI XIVBe sure to read up on my introduction to this season here along with my summary of the Top 8 guys.

And now for the girls…

I have my favorites, and they probably won’t change.  Overall, I think the guys this season the guys are stronger than the girls – and depending on how things continue to go, a guy will probably win.  That said, the girls that are good are out of this world – “goosies” and all.

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AI guys

THIS is American Idol… The Guys

AI XIVIn my home, I do not have cable – nor do I have DVR, or any other live TV recording technology.  For some, this may seem like an impossible way of life, however, for me it has been liberating.  As someone who could easily be kept hostage by a plethora of recorded TV shows from any number of 500 possible channels, I have found peace in not thinking about what’s on TV, or how I will make time for so many wasted hours.  However, I have decided to try a social experiment called “Watch American Idol Live Every Week for the Entire Season,” or, in other words, watching TV the old fashioned way.  I am doing this mainly because I had a crazy desire to reconnect with America’s favorite pastime (American Idol), and this is the only surefire way to see this adventure through.

Because I have now made it my job to be home every Wednesday and Thursday night at 8pm, I may as well make that job something greater than watching a show and pigging out.  Which is why I would like to bring to you my weekly account of AI, with my critiques, praises, and predictions.  I have now been watching since day one of auditions, and feel I have a strong enough foundation to make educated and well rounded opinions of each contestant and their roll in this season’s cast.  Overall, I must say, this is one of the best seasons I have seen in a long time – most well produced, great judging panel, strong contestants, and Harry Connick Jr. (yum).

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homer

Homer Simpson Found the Mass of the Higgs Boson Particle 14 Years Before it Was Discovered

A pretty remarkable claim over The Telegraph.

Simon Singh, author of The Simpsons and their Mathematical Secrets, told a literary festival audience that the series is staffed by writers with an interest in maths.

“That equation predicts the mass of the Higgs boson. If you work it out, you get the mass of a Higgs boson that’s only a bit larger than the nano-mass of a Higgs boson actually is.

“It’s kind of amazing as Homer makes this prediction 14 years before it was discovered.”

 

Since I hated math as a subject while forced to learn it in grade school, and having spent a few of my childhood summers making up for sub-standard grades, I’ll have to take his word for it.  It’s also a crazy reminder that not only has The Simpsons been on TV 14 years priors to the actual discovery, it was on when I was in high school impressing my teachers with my style over substance approach to school and that, my friends was a long time ago.

h/t Acculturated

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8 Episodes of The Twilight Zone That Any Friend of Liberty Would Love – Part I

twilight-zone-movieThe Twilight Zone was an afternoon staple of my childhood summers.  In Los Angeles during the 80s,  two episodes ran in syndication every day from 12pm-1pm.  An older boy who lived around the corner would watch my younger sister and I in the afternoon for a few bucks until my mother came home from work.  He insisted that he be able to watch The Twilight Zone and that if we missed even the first few minutes of an episode, that it would ruin the whole show and we may as well not even watch it. Between that discipline and the Independence Day and Thanksgiving Day  marathons, The Twilight Zone is every bit a part of the fabric of my cultural upbringing as was my Italian grandmother’s cooking, Transformers in my backpack and Tommy Lasorda’s Dodgers.

It wasn’t until much later in life that my favorite episodes of The Twilight Zone shifted from the time-traveling commercial jet and dinosaur cameos of “The Odyssey of Flight 33” and the surprise twist of  “To Serve Man” a title which referred to a cookbook, to the more thought provoking social and political commentary that were the basis of other equally enthralling episodes.

I’d like to offer up the top 8 episodes of The Twilight Zone that do a fine job in the world of human freedom by commenting on either individualism, free markets or  liberty – perhaps even all three.

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oscar2015

[RESULTS] 2015 Smash Cut Culture Oscar Pool

birdman-oscarsThanks to all who participated in Smash Cut Culture’s first ever Oscar Pool.

Congrats to Alejandro Gonzalez Inarritu for taking home three Oscars for Birdman.  Along with the award for Best Cinematography, that brought Birdman‘s win total to four, the most for the night.

As for the race to win the Smash Cut Culture Oscar Pool, it was a nail biter.  Two people ended up with 17 correct picks and it came down to the tie breaker.

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One Minute of Melissa McCarthy Stole a Three and a Half Hour Show

Melissa McCarthy channeled the late great Chris Farley and absolutely delivered the greatest moment of an excruciatingly long three and half hour tribute to 40 years of Saturday Night Live.

And of course because NBC/Comcast hate to share content on YouTube,  you can’t find a decent clip of it online that won’t be taken down more than 10 minutes after being uploaded.  So apologies is the video embedded below gets disabled.  You can find the whole Weekend Update sketch over on Hulu.

theslap

The Slap

I don’t know about your Big Game party (if the NFL is gonna sue anyone who infringes on their trademarked name for the NFL championship game, then I will refrain from even exercising my journalistic right to use it and instead will, forever on, only call it the Big Game), but the most talked about commercial of all the Big Game ads was for NBC’s drama The Slap.  Having never heard of the novel by Christos Tsiolkas or the subsequent Australian TV series of the same name, most people watching thought it was joke. In fact, right before the unveiling of the title, someone yelled out in an over dramatic announcer voice – “a new hit show, The Biggest Slap” which cued a laugh and then a collective “whoa” as the the title was unveiled.

After a bit of research (ahem, wikipedia) the book’s plot is revealed:

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SouthPark Satan

Would You Call Yourself a Libertarian if Satan Said He Was One Too?

The chief philosophical sages of our age, obviously by that I refer to Matt Stone and Trey Parker of South Park, addressed this question somewhat in season 4 episode 7, Chef Goes Nanners. The relevant scene is at 7:44.

In this spoof of the state flag debates across the American South, in particular Georgia, Chef demands changes to the South Park flag because it is racist.  To leave no doubt in the minds of the viewers that Chef is spot on, the flag is discovered to show four white people lynching a black man.

And yet, Jimbo and Nedd, the resident hunter rednecks of South Park disagree, offering what amounts to the same argument relied upon by most southerners who oppose changing their state flags: The flag is a part of our history, our traditions.  While people in the past did racist things and perhaps some minority today holds racist views, the whole culture of the South was not built around racism, and the flag represents the whole culture, not just the sordid parts.

Now for a not so brief digression, I’m from Alabama.  I confess I very much identify with Jimbo’s position at least regarding the flags of the southern states.

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Michael Keaton Is…

If there is one thing to like about the Golden Globes, (because the Awards themselves are a joke) it’s that sometimes one of the good guys finishes first and get’s a chance to talk into a world-wide microphone and drop some knowledge.

Michael Keaton was Mr. Mom and Bill Blazejowski. He was Beetlejuice and was Batman. But what Michael Keaton still is and always will be, is Michael John Douglas.

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When The Wrong Mans Do the Right Thing

The Wrong MansThere’s a certain kind of character everyone loves to hate: the supposedly average person who gets thrown into a terrible situation and suddenly becomes unrealistically good at everything he or she needs to do to save the day. Fanfiction writers call the female version “Mary Sue” and her male equivalent “Marty Sam” or “Gary Stu.” Of course, there are plenty of real-world instances of ordinary people doing extraordinary things in extraordinary circumstances, but most people tend to panic in an emergency. Mary Sues are annoying because they ignore that reality. (And having purple hair, wilver eyes, and a fake Japanese name doesn’t help, either.)

Occasionally, however, a writer will turn that trope on its head to great effect. And that’s exactly what actors/writers Mathew Baynton and James K. Corden have done in their action-comedy The Wrong Mans, available in the US on Hulu. Even the title is a twist on Hitchcock’s The Wrong Man, and the first season’s tagline pretty well sets the tone of the series: “Danger called. They happened to answer.”

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Super Comics: Flash #73-79 (1993)

Barry Allen, like many comic book characters, used to be dead. But unlike most others, he stayed dead for over twenty years. Oh, he’s alive and well now—more so than ever, thanks to The Flash television series on the CW. Nevertheless, DC Comics once killed him off, giving him a heroic death in 1985’s Crisis on Infinite Earths miniseries, and he didn’t return until 2009’s Flash: Rebirth.

unnamed-15During that time, Wally West, the former sidekick Kid Flash, took over as the Flash. Wally was introduced in the late 1950s as the young nephew of Barry’s girlfriend Iris. (Unlike their TV counterparts, Barry and Iris were together from the Flash’s first appearance, and they did not grow up together.) When Barry and Iris eventually married, Barry became not only Wally’s mentor and idol, but his uncle as well.

Wally’s series ran for about 250 issues from 1987 to 2009, and his time as the Flash can be read as a coming-of-age story. He progressed from a self-centered, twenty-year-old kid to a family man and stalwart member of the Justice League of America.

A pivotal chapter in his growth occurred in a storyline called in 1993, which spanned issues #73 to #79 written by Mark Waid and drawn by Greg La Rocque. The story isn’t some good vs. evil struggle, but one with very personal stakes. It’s about the balance between idolizing your hero and becoming your own person, the importance of protecting a legacy, and the dreaded possibility that your role model might not live up to your expectations.

unnamed-2Just as Wally is starting to feel comfortable as the Flash, the man he always saw as “the” Flash seemingly returns from the dead. Barry Allen shows up on his doorstep, alive and well, if a bit disoriented. At first, Wally loves having his uncle back. Sure, he starts to feel a little redundant as the Flash, but that’s a small price to pay. But then Barry’s behavior becomes…erratic. He soon snaps, leaves Wally to die in a hi-tech trap set by a new criminal organization, and announces himself as the one, true Flash. Wally escapes, of course, but he has to process the fact that the man he’s dedicated his life to has turned out to be anything but heroic.

Barry’s super-speed rampage brings him into conflict with former allies. The storyline crosses over into Green Lantern #40 for a Flash vs. GL battle royale. (Whereas the TV series show a friendship between Flash and Arrow, in the comics, Barry had become best friends with a different green super-hero, the Hal Jordan incarnation of Green Lantern—yes, the one we saw in that terrible movie, but Hal’s a much better character in the comics.)

Wally eventually learns it’s not Barry, but an old foe who has gone to extraordinary lengths to emulate him—even convincing himself he was Barry for a time. And now this villain is determined to ruin Barry Allen’s heroic reputation for all time, and only Wally can stop him—provided the younger Flash can get over his subconscious fear of replacing his mentor.

unnamed-16It’s great stuff, one of the best comic book storylines of the early 1990s (which, admittedly, is not saying a lot. Those were dark, dark times for comic readers.)

For fans of the TV show, “The Return of Barry Allen” shows of a glimpse of the hero Barry Allen is destined to become—someone who’s willing to sacrifice himself to save lives, and someone capable of inspiring others to greatness. The “real” Barry may not actually appear in these issues, but his heroic nature defines the story.

Also of note, this storyline features DC Comics’ first Flash in a prominent supporting role. No, Barry wasn’t the first—he’s just the most famous incarnation. Back in 1940, Jay Garrick inhaled some vapors and gained super-speed. He’s an old man in this story, though in excellent shape for his age, and he’s just recently returned to duty. So in one story, you get three generations of Flashes.

Netflix Gets “Friends”

20130303210812!Friends_season_one_castNetflix announced a huge acquisition move that will stream every episode of the NBC’s nostalgia powerhouse “Friends.” Yet another TV hit is headed to Netflix. Just another sign that Netflix’s streaming quality is primed for major improvement.

The series will be released on January 1st, 2015 and you can bet all the millennials will be watching.

Meeting the Doctor… Again

Peter Capaldi’s 12th Doctor has debuted. So what’s the verdict? How does the future of Doctor Who look?

Well, we’re only two episodes in, and that doesn’t supply enough information to render final judgment, but here’s my initial impression:

The Doctor is a captivating jerk.

unnamedCapaldi’s performance is superb. He commands the viewer’s attention, and like all great actors, his character seems to have quite a bit going on beneath the surface. Tremendous screen presence.

He’s the oldest Doctor of modern Doctor Who and especially older than the 10th and 11th incarnations (David Tennant and Matt Smith, respectively). As wonderful as his predecessors were, that’s a nice change of pace. Less running around, more mature speech patterns. I doubt we’ll hear him invent phrases like “timey-wimey.”

“Old” doesn’t mean “weak” with this Doctor. Quite the opposite. He exudes formidability and intelligence, turning longevity into a strength (appropriate for a series that recently celebrated its 50th anniversary). If the world was in danger, you’d want his help.

But he’s also a harsher Doctor, which is troubling. Whereas past Doctors might have lapses into unintentional rudeness as they’d get lost in their own heads, the new Doctor seems entirely cut off from any empathy. In the premiere episode, “Deep Breath,” he leaves his companion Clara to fend for herself in a dangerous situation, and in “Into the Dalek,” he displays no remorse when someone dies right before him.

Doctor_Who__Peter_Capaldi_favourite_to_replace_Matt_SmithThis detachment renders the Doctor’s behavior downright alien. And though he is an alien, he’s also a character in what was originally conceived as a children’s show. Doctor Who has grown up into a series that can appeal to many different age groups, but my feeling is the Doctor should always remain a good role model for younger viewers. He doesn’t have to be perfect, but he should continue to hold all life in the highest regard, maybe show some warmth and understanding once in a while. Maybe he’ll mellow out and get there, but so far, this isn’t a Doctor I can recommend as a role model.

But for the adult viewer, he’s still a fascinating character, and I’m curious to see what happens to him. Capaldi’s performance has my attention.

Meeting the Doctors

Doctor Who fans are getting ready to meet the latest incarnation of the ancient alien who travels through all of space and time in a blue box that’s bigger on the inside.

A clever plot device has helped keep the BBC series on the air for so many years. Whenever the Doctor dies, he regenerates into a new body and picks up life right where he left off—with some new personality quirks and different taste in clothing, but his core characteristics and memory remain more or less intact.

That’s certainly one way to keep things fresh.

Unlike James Bond, Doctor Who has a valid in-story reason for why 11 (and now 12) different actors have taken on the title role over the past 50 years.

Peter Capaldi will star in his first full episode Aug. 23, and Whovians will get to meet the Doctor all over again. A season premiere is that much more exciting when it basically doubles as a series premiere of sorts, too.

So, let’s take a quick look back in time at the introductions of the previous three “modern” Doctors (since the series returned to television in 2005).

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Christopher Eccleston

9Christopher Eccleston took over the role in the 2005 pilot “Rose.” So yes, he didn’t just take over the role—he resurrected it for a whole new generation. If he had flopped, Entertainment Weekly would have had significantly fewer Doctor Who articles over the past several years.

Just a little bit of pressure then.

“Rose” had a lot to do, and thankfully, it didn’t try to do everything. No talk of far-flung concepts like Time Lords or regenerations (though Eccleston’s Doctor takes a blink-and-you’ll-miss-it glance in a mirror to check out what his face looks like these days). This is a straightforward adventure told from the point of view of a normal 19-year-old Earth girl, Rose (Billie Piper). Through her, we gradually learn about this strange man and become intrigued by him.

It’s not perfect. The episode is rather cheesy in places. (How does Rose not notice her boyfriend isn’t quite himself?) But it’s fun and establishes Eccleston’s Doctor as a man you’d want protecting the world.

Christopher Tennant
David Tennant

10 – Fans had grown accustomed to traveling with Christopher Eccelston for one whole season…and then he became David Tennant.

Longtime Who fans were used to their hero regenerating ever since the original Doctor, William Hartnell, morphed into Patrick Troughton into the 1960s. But the newcomers still needed someone to convince them that the Doctor was worth following no matter who was playing the role.

Tennant’s first full episode was “The Christmas Invasion” at the end of 2005. This new Who universe was already established, as was his companion Rose and her supporting cast. It just had to establish Tennant’s Doctor.

So, naturally, he spends much of the episode in a regeneration-induced coma, not fully emerging until the grand finale.

And it’s brilliant. We watch Rose wrestle with the idea of her dear friend suddenly becoming a new person, mirroring the concerns some viewers may have had. We’re left in suspense as mankind struggles to deal with a visit from not-so-benevolent aliens while the Doctor sleeps. When he finally does make his big entrance, it’s well worth the wait, and we’re assured that, yes, this is the Doctor, even though it’s not exactly the same Doctor.

Matt Smith
Matt Smith

11 – Tennant wound up being such a beloved Doctor that whoever came next would need to prove himself very quickly. And Matt Smith does just that in “The Eleventh Hour” in 2011.

This episode is basically a re-pilot. Not only do we have a new Doctor, but we have a new companion (Amy Pond, played by Karen Gillan), and a new showrunner (Steven Moffat, taking over for Russell T Davies).

A fast-paced adventure builds up to this moment, in which the new Doctor talks down an alien invader while figuring out his wardrobe.

 

His monologue and the flashing images show us that there’s continuity between what’s gone on before and where we’re going from here. We even get quick glimpses of the previous 10 Doctors in rapid succession, until Smith’s Doctor steps through, appearing in his soon-to-be-trademarked outfit for the first time, all while composer Murray Gold’s new “The Doctor is about to do something awesome” score plays.

And we’re sold. Matt Smith is the Doctor.

At least, he was until last Christmas.

Modern Who is three-for-three when it comes to successful introductions of new Doctors. Hopefully, Capaldi’s premiere will continue the trend.

Astronomical: How Sailor Moon’s Reboot Improves on the Original

Can I admit something to you?

I really didn’t care for Sailor Moon as a kid.

SMC-640x426And being a girl who grew up in the ’90s, that’s a hard thing for me to admit. Most of my pals who had a fair share of animation adoration (and even those who didn’t) had a special place in their heart for the series.

I tried to like Sailor Moon, believe me. And looking back now, I can see why I kept on watching, and why all my friends loved it. The show about a troupe of magical teen girls, led by our main character Usagi (or Serena in the U.S. version), who can transform into the beautiful Sailor Scouts, all represented by a planet in the solar system. These Sailor Scouts, use their powers to save the world from the dark grasp of the villainous Queen Beryl. You have it all there: magic, secret powers, and girls near our own age. It had the makings to be something great. And in Japan, it was.

The original series in Japan, Pretty Guardian Sailor Moon, received lots of acclaim and was even said to have revitalized the magical girl genre in both the manga and animation world. The manga won the Kodansha Manga Award in 1993 for shōjo and the show was said to be popular with girls because our heroines were using their power to save people, not just to have fun or play tricks, which was popular in other similar shows at the time.

Screen Shot 2014-07-20 at 4.08.11 PMBut then DiC picked it up and tried to air it in America. And if people my age remember anything of what the TV landscape looked like in the early 1990s, we remember that what sold was often boxed in ‘80s packaging, with bright neon colors, some shoddy fight scenes, and a moral at the end of every story. Basically, if it wasn’t  “Saved by the Bell,” “Power Rangers,” or the like, it wasn’t selling.

So, though I don’t doubt them, it’s easy to see that DiC did their best to try to sell the Sailor Scouts — they added in gimmicky lessons at the end, awful Power Ranger-esque dialogue during fight scenes, and animation scenes more reused than a hipster’s mason jar collection.

The show also ran into some cultural barriers as well.  Scenes of near nudity, an implied lesbian relationship, and that infamous transformation scene all caused major controversial edits to be made to make the show “suitable for younger viewers.” But I also felt like something else was edited out: the fact that these girls were supposed to be heroes. I felt like Serena cried a lot, whined, and generally made life hard for all of the other Sailor Scouts until she was saved by the mysterious male lead, Tuxedo Mask.

Basically, it just felt like a bit of a letdown when a big battle would be about to take place, and Serena would run away and leave Tuxedo Mask to take care of most of the dirty work. Don’t get me wrong, I wanted to like it so very badly, but at the end of the day I’d end up rotting my brains out to Cowboy Bebop instead.

Screen Shot 2014-07-20 at 2.42.54 PMAnd I finished the series, but after that, I left the Sailor Scouts behind. I saw that several other series followed it, Sailor Moon S and Sailor Moon SuperS (as well as some films), so it must’ve still been doing well. But when Hulu started streaming the unedited series back in June, I watched a few episodes, and it wasn’t awful. I still didn’t really care for Serena, but it was more tolerable.

But then, two weeks ago, Hulu also started streaming the brand new Pretty Guardian Sailor Moon Crystal. And I decided to give it a go. It was hands-down one of the best animation choices I made this year (next to buying a Wacom and watching “Attack on Titan”) and I could not be happier with it.

First of all, it looks gorgeous. From the opening scene of the first episode you can practically hear creator Naoko Takeuchi yelling, “I take this seriously and so should you!” The animation is nearly flawless and crafted with such a light, careful hand — I can’t help but just watch it to stare at the craftsmanship.

Screen Shot 2014-07-20 at 2.43.10 PMBut I also noticed something in the opening credits, the new theme song includes the lines, “We are not helpless girls/Who need men’s protection.” Now those are some big claims. And as I continued to watch the first two episodes (the third will be up next week), I think they’re going to keep their promise. Now sure, the show does not come without its problems.

It follows the manga more closely, which is nice, though a little too narratively tight at times for my taste. And Serena (now back to her original name, Usagi) is definitely still a teenager who is pegged immediately as popular and ditzy — but she wants to fight, she just doesn’t know how to use her powers yet. And once the other guardians are located and join the team, I can only see character growth coming our way. And I keep thinking this might just be the show I longed for when I was a young girl watching anime shows where, most of the time, guys got the save the day.

So, if you are like me, if you gave up on Sailor Moon all those years ago — or maybe you didn’t, maybe you stuck it out and are a die-hard fan — you’ll love this new installment. Even if you aren’t particularly into animation, the artwork is definitely worth an episode or two of your time.

The episodes are available for streaming on both Hulu and Crunchyroll. So in the name of the Moon, get to watching!

 

No Anarchy for the Emmys

SOA-poster-1If you felt cheated by Richard Mattox’s “5 Biggest Snubs” article last week when the Emmy nominations were revealed, I’ve got your fix. Or at least a taste.

 

Over on Nikki Finke’s recently unveiled website, nikkifinke.com, the Queen of Snark allowed Sons of Anarchy creator Kurt Sutter a soapbox to vent his conflicting feelings on his FX show being passed over once again for any nominations in the major Emmy awards categories (the show was nominated for Original Song.)

 

Sutter’s conflicts seem to stem from wanting to have his cake and eat it too. One of the appeals to the show by it’s fans (of which I am a former member) is that the series is so counter-culture and bad-ass that “we don’t need no stinking awards”. Sutter wears that badge with honor yet admits that it would be nice to be recognized by his peers.

 

Honestly – and I actually believe this – I think we’d drop viewers if ‘Sons of Anarchy‘ were ever nominated for an Emmy. My bombastic outlaw-asshole reputation would be tarnished.

That’s not to say that I don’t want to win an Emmy. I absolutely do. More than anything. Any artist who tells you they don’t want to be acknowledged and awarded by their peers is a fat fucking liar.

 

Sons of Anarchy Creator - Kurt Sutter
Sons of Anarchy Creator – Kurt Sutter

These are the same peers that he calls-out who vote more out of loyalty than objectivity. (This is so true by the way. During an Oscar season years ago, I asked a friend who she was voting for in the Best Actor category. She replied she’d vote for her friend. I asked if she saw his film, and she said she hadn’t yet, but he just “deserves one”. I mentioned that he already won one a few years prior and she just said. “Well, then he should get another one.” I had already stopped paying attention to award ceremonies a couple of years before that, but after that conversation, it really solidified for me that all these big award shows are crap.)

Kurt Sutter’s bigger issue is Hollywood. He has created a great show. His opinion about other nominated shows having lost their way after 3 season while his continues to flourish is debateable. Like I mentioned, I am a former fan. Sutter clearly wants to be a member of the popular kids club and still hold onto his bad boy image. But with Sons of Anarchy is overflowing with violence, sex, rape, drugs, guns plus enough testosterone to make Lena Dunham beg to be stay-at-home mom, it’s going to be a long time before the PC stooges of tinseltown give you an award. He posted his article on Nikki Finke’s website, which means he really should have had more guts to call-out these Hollywood cronies and name names other than a childhood nemesis. Instead, he just drops f-bombs and jokes about killing puppies. If he going to call himself an “outlaw-asshole” at least write like one.

Long live Opie.