In an attempt to release a movie so huge it’ll give each fan his very own heart attack, Disney has crammed every single hero from the Marvel Cinematic Universe into one (okay, two) giant film(s). To prepare for the only film with a call sheet longer than its running time, check out the following fake spoilers for Avengers: Infinity War…
Do you want to escape to an alternate reality where Steven Spielberg still makes fun movies? Then you’re probably psyched for Ready Player One. As you wait on line next to a guy using R.P.O. as an excuse to dress like M. Bison for the night, browse the following Fake Spoilers…
The film, Red Sparrow, capitalizes on America’s renewed Russo-phobia. Central to the film is the fact that many in the west believe we won the Cold War, while many in Russia believe the Cold War never ended. While I agree with the sentiment completely, I do feel that the film simplifies decades of U.S. -Russian international relations into terms which can easily be digested by those who pre-November 2016, could scarcely find Russia on the map. While simplified it is does introduce to the masses three monumental facts of national security: (1) there are more Russian spies in the United States now than during the height of the Cold War, (2) Russian intelligence collection programs are built around long-term goals, and (3) the Cold War never ended, despite the fact that too many westerns believe it did.
While the rest of your friends continue to be infatuated with Black Panther, seeing it for the third or fourth time with their Movie Pass, consider seeing something a little different. Annihilation can best be described as a cinematic experience, one of those movies made to be seen in a theater. So, if you plan on waiting until the digital release to watch it, think again.
This experience presents itself when the characters enter The Shimmer, an alteration of space-time where the laws of nature are constantly reinventing themselves. The sound design, the powerful and emotional scoring, the color pallet, and the stunning visuals all work in harmony to immerse us in this altered-state bubble. You can’t help but check Google Maps when you leave, to see if a real-life version of The Shimmer is currently swallowing up the American South. It feels real.
As yet another film you feel obligated to say is good when your girlfriend is around hurtles toward Oscar gold this year, check out these fake spoilers so you can sound like one of the 80 people who’ve actually seen it…
We have great news for fiction and narrative nonfiction writers: we are launching a new quarterly literary journal to be published in print and online.
The to-be-named publication will feature emerging authors from our writing programs, but will also be open to submissions from authors and writers of any background. With the goal of cultivating short stories and narrative nonfiction work that wrestles with themes of liberty and freedom, the journal will publish a collection of 7-8 short works each quarter.
Stay tuned for more details, but if you’d like to submit something for consideration, please adhere to the following guidelines:
- Fiction word count: 5,000-10,000 words
- Memoir word count: 1,200-5,000 words
- Essay word count: 500-2,500 words
- Must grapple with liberty-related themes in some way
- Email submissions to [email protected]
- Deadline to submit for the first issue is March 10th
In addition, if you are an illustrator and would like to illustrate for the new magazine, please contact [email protected] with some samples of your work.
Was anyone else assigned A Wrinkle in Time in middle school but couldn’t remember the plot if your life depended on it? Well fear not because it’s hitting the big screen on March 9th. To get you ready for this trip down faded memory lane, check out these fake spoilers:
Star Wars fever is about to break out into another $2 billion box office rash. Apply these fake spoilers as a preventative salve to stave off your own case of Force-itis.
6 – Mark Hamill’s just relieved that the last movie he holds a lightsaber in will no longer be Jay & Silent Bob Strike Back. (more…)
20 years after Mrs. Brown, Dame Judi’s back in Victorian era wardrobe as… Queen Victoria. Audiences have been positively clamoring for Judi to reprise her role as the 19th century’s most famous baby factory so fair warning: FAKE SPOILERS BELOW!
Never has such a short book title filled so many pages. (1,138 to be exact) Remember when flipping past the old TV version would fill your nightmare quota for a month or two? Well, on September 8th you’ll have to drive all the way to a theater to get scared for 14 bucks (plus another 10 for the worst nachos you’ve ever eaten). To better prepare you for a night of thrills and chills, here are the Top Ten Fake Spoilers for IT…
“I’ll see you again in 25 years,” Laura Palmer promised Special Agent Dale Cooper in the Red Room. That was 1991, the end of the second season of Twin Peaks. Since then, there has been a prequel movie, Fire Walk With Me, and multiple books to expand on the mythology of the series. But this year, creators David Lynch and Mark Frost returned to the small screen with Twin Peaks: The Return on Showtime.
The small screen has gotten bigger in the intervening years. TV has become more cinematic, with series like Game of Thrones. CRTs have given way to 65-inch flat screens. Video production technology has made special effects cheap and seamless. And streaming services have changed the TV business model by trying to attract subscriptions from niche audiences. So it’s only natural that Lynch and Frost would revive their legendary television show.
Travel DAYS: Sunday, July 2 – Tuesday, July 4
The flight from LA to Dubai went across Greenland and produced memorable views like this one:
The flight on Emirates was among the best I’ve ever had. In addition to tons of new movies, TV shows, and albums, they also had some classics, so I thought it appropriate to rewatch Casablanca given that we’ll be there in a few weeks:
I picked up my first Thomas Pynchon novel on Saturday, Inherent Vice, for the plane rides, primarily because I liked the movie and have been studying the genre (LA Detective mystery ala Raymond Chandler):
Scarily relatable, surprisingly humorous, undeniably intriguing, Eric Ford Holevinski’s indie film “The Restaurant” has it all—from moments every food industry worker will understand to startling, jump-out-of-your-seat scares. As his first endeavor in filmmaking, Ford seems to have found subject material that draws from personal and universal experiences, while maintaining both humorous and horrifying themes. “The Restaurant,” a comedy-horror centered around a fast-paced New York City Italian restaurant, leads viewers into a spiral of scares and laughs as the busboy discovers a dark secret the manager is keeping. The secret? A customer-hungry entity in the basement that must be fed for the rave reviews to keep flooding in. Being his first foray into the indie film industry, Ford explained the motivations, developments and experiences of his career in the film industry in a Q&A.
Two years ago, I joined Liberty Island Media, a start-up book publishing company focusing on genre fiction, as their West Coast Editor and began acquiring and editing novels. I also started writing my own novels and helping other writers develop their stories. Now, in this ongoing series at Smash Cut Culture I’m going to start highlighting the authors who I’ve returned to most often in working with writers. As I’ve studied and met both fiction and non-fiction writers over the years these are the ones with the most depth, originality, and humanity. Reading their books and understanding the ideas that matter to them has helped change my life for the better and I hope it can do the same for you.
Andrew Klavan has worn many writer’s hats over the years: hard-boiled thriller novelist, Hollywood screenwriter, essayist for The Wall Street Journal and contributing editor for City Journal, longtime new media innovator in blogging, hilarious YouTube videos, podcasting at the Daily Wire, and now celebrated memoirist with The Great Good Thing: A Secular Jew Comes to Faith in Christ.
I don’t know about you, but I have been anxiously awaiting a “Wonder Woman” feature film since rumors circulated in the late ’90s of one starring Sandra Bullock. For me, the films near twenty-years in pre-production hell was well worth the wait.
For starters, “Wonder Woman” is the film that we needed to finally prove the Exec’s wrong. The belief that female superhero films cannot be successful is farce! You may remember leaked emails from 2015 revealing their suspicions that female characters were not a draw in the box-office. The failure of female comic book movies – or any comic book movies for that matter – has nothing to do with the sex, gender, or ability of the character. No instead, as fans have always maintained, the failure of comic book films is the result of shoddy film making at the hands of filmmakers who do not understand the properties they are working with. “Wonder Woman” is a film seeming created by those who seem to understand, and love, the character. And what a difference it makes.
Have you seen this commercial for Ancestry.com, one of the genetic testing companies?
Kyle’s self-identification, based upon how he was raised and his family’s perception, was German-American but after genetic testing in the service of researching family history, he discovered his ancestors were primarily Scottish.
Adam Carolla and Dennis Prager are teaming up to make a new documentary about the “safe space” phenomenon that is plaguing college campuses across America. The pair has been filming for the past few months, but now they’ve launched an Indiegogo campaign for $500,000 to help them continue production on “No Safe Spaces.”
I like to laugh. I like action. I like smart-ass characters and clever dialogue. Needless to say, I loved the “Guardians of the Galaxy 1” Like so many others, I waited with joyful anticipation for “Guardians of the Galaxy 2.”
I’ve read other reviews that weren’t very positive and all I have to say is, It’s based on a comic-book and it’s only a 2-hour 18-minute movie. It’s longer than the average movie but there is only so much character development you are going to be able to cram into 138 minutes, but for what it is, the writers did a hell of a job. The story reveals more well-rounded characters and yes, I felt the attraction between Quill and Gamora even though it was just one of many character relationships forming. As far as pacing, there is a lot of story going on in this movie. The writers are trying to tell an important back-story about Quill and his origin, bring us to the major conflict in this film and set up for the next movie all the while giving us more character development than you would expect in a movie based on a comic-book starring a variety of alien creatures.
You may have missed this Studio Ghibli film since it is approaching its twenty second anniversary in July, but you still have time to seek it out, and it is well worth the search.
The first film produced by Ghibli that was not directed by either Hayao Miyazaki or Isao Takahata, it is much quieter than some of the studio’s better known films. The story focuses on fourteen year old Shizuku dealing with two big coming-of-age moments: realizing her passion/dream to write, and navigating her first love.
Sara Barielles is in the midst of a ten-week run as Jenna, a Southern pie-maker stuck in a loveless marriage in the popular Broadway musical, “Waitress.” What’s more daunting than the play itself is that Barielles is a Broadway novice taking over the lead role previously held by Tony winner Jessie Mueller. Despite previous nervous energy, Barielles, who wrote the play’s music and lyrics, seems to be thriving.
The film “Dallas Buyers Club”, starring Matthew McConauhey in his Academy Award winning role, is about Ron Woodroof, a man exposed to the AIDS virus who starts a buyers club – a network of infected individuals that help each other get life-saving medication.
The homophobic, free wheeling cowboy Ron contracts the HIV virus through the casual sex he has on a regular basis. The disease, stigmatized at the time as a “gay man’s” ailment, forces Ron into personal hiding, as he’s affronted with homophobic slurs despite his heterosexual lifestyle.
Not often do fans of the infamously melancholy Lana Del Rey get to hear a song that is genuinely happy. Yet this is precisely the kind of song that the singer’s new single “Love” is. For the girl known for penning songs like “Sad Girl” and “Pretty When You Cry”, “Love” couldn’t be more pleasantly opposite.
Del Rey, who released the song as a lead single for her upcoming album Lust for Life, has made a notable departure from her typically depressive, sultry style to create something blissful: an unadulterated love song. “Love,” a tribute to young romance, speaks straight from the mouth of enamored youth itself, as the chorus goes: “You get ready, you get all dressed up / to go nowhere in particular/ Back to work or the coffee shop / Doesn’t matter because it’s enough to be young and in love.”
Full disclosure, I fell in love with Pete Holmes the moment I saw him show up on my screen like some gangly white ray of sunshine. I stumbled onto his show Crashing by accident, scrolling along the homepage of my HBO GO app until I saw a photo of a man sitting on a couch in the middle of the street mock-screaming directly into the camera. “I don’t know who this guy is,” I thought, “but I have a feeling he gets me.” Long story short, it was a show about a comedian, I’ve done stand-up a handful of times, and I’m a regular sucker for guys whose noses are of the Adrian Brody variety. I gave it a go.
My love of comedy about comedians started with Jerry Seinfeld. For me, he was the first comic to use serialized television to tell an audience the ins and outs of being a working comedian. Yes, I realize this dates me as a ’90s child – I’m sorry about it, too.