Stasi-Hauptmann Gerd Wiesler (Ulrich Mühe) sitzt in dem Kinofilm "Das Leben der Anderen" auf dem Dachboden eines Hauses und belauscht die Vorgänge in der Wohnung die er beschattet. (undatierte Filmszene). "Das Leben der Anderen" ist am Dienstag (23.01.2007) in Los Angeles für einen Oscar nominiert worden. Der Film ist einer von fünf Anwärtern in der Sparte nicht englischsprachiger Film. Die begehrtesten Filmpreise der Welt werden von der amerikanischen Filmkunst-Akademie in diesem Jahr am 25. Februar vergeben. Foto: Buena Vista (ACHTUNG: Verwendung nur für redaktionelle Zwecke im Zusammenhang mit der Berichterstattung über diesen Film!) +++(c) dpa - Report+++

“The Lives of Others” : A Warning Veiled in a Thriller

In the movie “The Lives of Others,” the STASI and oppression of the East German regime are revealed to the viewer through authoritarian techniques of surveillance and control prior to the fall of the Berlin Wall, the reunification of Germany and the collapse of communism in the region. Throughout this film, characters and scenes depict, in vivid detail, the attempts of the authoritarian East German government to instill unquestioning obedience and devotion to the state to ensure complete control. At face value, the baseline of the story seems heavy handed, but what the film truly draws is a tense thriller entwined with a morality play.

One especially powerful and telling scene is the planting of bugs at Dreyman’s house. After orders come from Minister Hempf to have continuous surveillance of Dreyman, Weisler and a team of STASI agents break into his house, plant equipment, and set up shop just upstairs in the loft of the building in order to watch, monitor, and record his every action.

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Dallas Buyers Club Reminds Us That The FDA Is Trying To Turn Everything Into An Illegal Drug

DBCRon Woodroof fought for the right to use non-FDA approved drugs as a means of treatment after he was diagnosed with HIV in the 1980s.  As a result, he began distributing experimental drugs to AIDS patients who were unable to acquire them at hospitals.  Woodroof’s legacy lives on in the 2013 film, “Dallas Buyers Club,” directed by Jean-Marc Vallée.

The film opens with Woodroof’s diagnosis; he’s given 30 days to live.  Thinking he’s a homosexual, his friends and coworkers ostracize him.  When Woodroof finally seeks treatment, he is put on AZT, the only FDA-approved drug in America at the time, but this only worsens his condition.  Woodroof eventually travels to Mexico to find help, and there he’s treated with ddC and peptide T, drugs not approved by the FDA.

After three months on these new drugs, Woodroof’s condition improves and it occurs to him that he can make money smuggling ddC and peptide T into America for other HIV patients.  He teams up with Rayon, an HIV positive trans woman, who helps Woodroof get inside the gay community.  Together, Ron and Rayon form the Dallas Buyers Club, which provides the non-approved drugs to HIV patients at a price.  The club becomes very successful, but is short-lived, as the FDA is constantly trying to find ways to shut them down and make it harder for Woodroof to sell his own drugs.

Woodroof attempts to sue the FDA, seeking the right to take peptide T, which at this point has been proven to be a non-toxic drug.  Although he loses the court case, it is stated at the end of the film that Woodroof was eventually able to take peptide T for his own personal use up until his death.  He was also one of the main reasons that hospitals in America would eventually reduce the dosage of AZT it would administer to its patients after the drug was found to be toxic.

Dallas Buyers Club is based on a true story about what can happen to American patients when their health care system is fraught with bureaucratic roadblocks.  The government spends more than 50 per cent of all health care dollars and costs have been driven up by the FDA’s actions and deprived Americans of much-needed treatments.

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A Lesson for College Grads from Amelia Earhart

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“Never interrupt someone doing what you said couldn’t be done.” – Amelia Earhart

If you’ve ever complained that some part of the world is unfair, that the economy is difficult, or that it’s just too hard to succeed in the field you have chosen, then the inspirational story about Amelia Earhart from the bestselling book by Ryan Holiday is for you.

Unlike those of us entering the job market today, Amelia Earhart pursued her career during a booming economy. It was the Roaring 20s and it seemed as though everyone was growing wealthy. But not Amelia, for she had the wild dream to be a pilot. There was one problem, though. She was a she. It was the 1920s and women had only recently won the right to vote. She could read about being a pilot; she could listen to the great pilots talk on the radio; she could even marry a pilot, but no one would ever put a woman in a plane.

For people like Amelia, all this was irrelevant. She had decided that she would become a pilot, and nothing would stop her. While she eked out a living as a social worker, she wrote to everyone and anyone who was putting people in the sky.

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Hollywood’s REAL Trigger Warning Problem

Trigger warning: There are actual triggers and warnings ahead.  Please proceed with extreme caution.

Driving around any major boulevard, ride any busy subway, walk through any mall and you will notice them.  Movie posters, billboards, bus and train decals promoting the latest Hollywood action movie.  Photographic collages filled up with recognizable beautiful celebrities in sharp outfits and perfect poses.  Here are some popular examples.  And pay attention, there will be a quiz afterwards.  See ya on the other side.

So other than the fact that it’s sad how boring most movie posters have become over the years (the motif of the early Bond films is a lost art form) what is the one thing all these film poster have in common?

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Hamilton Proves How Influential Culture Can Be

hamilton playbillIt comes as a surprise to no one that the broadway musical Hamilton is up for the Best New Musical Tony. In fact, I just typed that sentence without even checking the Tony nominations which were announced earlier this week. I just assumed it was true because the internet didn’t explode with outrage. It turns out Hamilton racked up a whomping 16 nominations, the most in broadway history. In fact, Hamilton has at least one nominee in every category the show is eligible for, and multiple nominees in the two best actor categories.

But award wins and nominations are only the beginning of Hamilton’s impressive feats. Many sources, including The New York Times, The LA Times and The Washington Post have given the musical at least partial credit for keeping Alexander Hamilton on the $10 bill. 

Many feminist groups have been asking for women on U.S. currency for some time. While they weren’t specifically asking to replace Hamilton, the U.S. treasury initially picked him because the $10 bill is the next one due for a redesign. Lin-Manuel Miranda, the star and creator of Hamilton even met with Treasury Secretary Jack Lew personally regarding the matter.

Now the treasury has changed its mind. Hamilton will remain on the front of the $10 bill while the back will feature several women of the suffragette movement. Harriet Tubman will take Andrew Jackson’s place on the front of the 20, bumping Jackson to the back of the bill.

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