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Risen: Faith-based Filmmaking Done Right

This week I’ve been working out how to make a snood, a type of hair net worn by long-haired ladies for centuries but particularly useful on the American frontier and for reenactors who need to hide their short hair. Especially when working with super-fine cotton yarn, I have to be very careful and precise about placing my stitches and deciding on the sequence of rows in order to make the netting come out right.  My mother’s been trying for a year to find a pattern on the Internet that works, but so far she’s gotten nothing but messes.

I bring this up because as I’ve mentioned in the past, C. S. Lewis argues in his essay “On Stories” that a story is like a net used to catch something else that isn’t necessarily defined by the structural elements of the story.  What that ‘something else’ is can vary greatly, of course, and can have an effect on the form, but unless the net is well made, it won’t catch anything at all.  Similarly, he argues in “Sometimes Fairy Stories May Say Best What’s to Be Said” that it’s almost impossible to start with a particular idea for a moral and build the story around it; for the story to be any good, the story itself has to come first, and the moral will generally make itself known in the end product.

The former is the trap into which many filmmakers fall when they set out to make a film to promote a particular ideology, whatever that ideology might be, and end up making a major mess. The latter is the approach that’s needed—and is, incidentally, the approach advocated in Taliesin Nexus’ workshops from the first session on.  A well-crafted story will attract viewers and provoke discussions better than preachiness.  And that is where Sony’s newest faith-based film, , shines.  The film works precisely because it takes a well-known story, that of the Crucifixion and Resurrection of Jesus Christ, and presents it afresh through outsider POV without crossing the line into preachiness. (more…)

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Deadpool is Waiting for You

deadpool1Time for a stupid question, is there anybody out there who hasn’t watched Deadpool?  Well, is there anyone out there other than my dad, who didn’t watch it?  Even he intended to see it, until he learned it was not in fact the sixth installment of the Dirty Harry franchise.  So is there anyone who actually knows how to use the internet, that didn’t see it?  I didn’t think so.

Well, humor me for a second. Maybe you live under a rock and don’t know who Deadpool is?  Or maybe, unlike me, you actually care other people – and spent your Valentine’s Day catering to them instead of sitting through a certain comic book flick with your man crush Ryan Reynolds for the third time.  Either way, instead of wasting your time (and more importantly mine), I am going to provide the top reasons why you should have seen Deadpool.  Or possibly, why you should see it again.

The first reason Deadpool is nothing like the “previous attempt” at Deadpool.  Any dedicated comic book fan, would rather spend a frigid weekend at the Weapons X facility than relive the ending of Wolverine Origins.  This film is nothing like that… in any way.  One of the fatal flaws was of the original, was to sew the lips of the self-titled “merc with the mouth” shut.

As a comic book fan, I am often torn when presented with an origin story. On one hand; it is great to witness the birth of characters I love; and painful when revisionists attempts to reinvent them.  Yes, I had issues with the accuracy of Wade’s origins – and the origins of other peripheral characters like Ajax and Angle Dust – but for the most part these were tolerable and entertaining.

(more…)

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$10,000 Film Grant Available – Make a Short Film This Summer

As an independent filmmaker, the single biggest obstacle to getting your film made is: paying for it.  You can have all the other elements you need lined up: a great story, a fast and efficient crew, talented actors, and your aunt has even agreed to let you film at her vacation home in the mountains, (as long as you pay for the maid service afterwards,) but if you don’t have a budget to pay for it all, you will not make your film.  This is where Taliesin Nexus’ Liberty Lab for Film program comes in.

The Liberty Lab for Film (or LLF) is an advanced program for those who have filmmaking, screenwriting, and/or producing experience and want an opportunity to work alongside liberty-minded creatives under the guidance of seasoned professionals such as Daniel Knauf, (co-executive producer, NBC’s The Blacklist) Adam Simon (creator of the FOX series Salem) and screenwriter David H. Steinberg (American Pie 2)  in developing, writing, filming and editing your short film or web series idea.

Jessica Stroup (FOX's The Following) discusses her scene with LLF filmmaker and director Nick Delgado on his film Freedom HUD
Jessica Stroup (FOX’s The Following) discusses her scene with LLF filmmaker and director Nick Delgado on his film Freedom HUD

If you and your treatment are selected, you will receive a grant for $10,000 to fund your project and be paired with an established industry professional who will mentor you through a 100 day process.  At the conclusion, Taliesin Nexus will host a gala showcase screening in Los Angeles where your film will premiere along with your fellow LLF participants’ projects.

This is not for the faint of heart.  You and your partners will be responsible for producing a high quality film. For 100 days, you  must contend with: a rigorous development process, valuable collaboration, working within a budget, and notes & feedback from your mentor and the network.  It’s a process not unlike aspects of the Hollywood system or any independent film production.

To submit, all you need is a one-page treatment of your story idea for a short film or web-series that touches on some aspect of liberty.  Why Liberty?  Taliesin Nexus is committed to helping storytellers, who share a passion for human freedom and diversity, succeed in their entertainment career.

The 2015 LLF Fellows and their mentors in the writers room at the opening workshop.
The 2015 LLF Fellows and their mentors in the writers room at the opening workshop.

One great aspect about applying is, if you apply early, it will give them time to review your application and reach out to you to offer feedback. If they can help you with your treatment even before you make it in to the program, they want to do it.  Taliesin Nexus is committed to ensuring that you and your project receive as much support as possible.

Please to learn more about the program, the application process, and what to expect when you are selected into the program.  Applications are being accepted and you have until April 15, 2016 to submit.

(Taliesin Nexus is the owner and operator of SmashCut Culture)

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Avenging The Fantastic, Part 10: The Machinations of Ultron Begin!

Continuing the read-through of as many Avengers and Fantastic Four–related Marvel comics as possible!

Books Read

Tales of Suspense (starring Iron Man and Captain America) #92-99; Captain America #100-105; Iron Man and Sub-Mariner (just the Iron Man story) #1; Iron Man #1-4; Avengers #51-56, Annual #2; Marvel Superheroes (Captain Marvel) #12-13, (Medusa of the Inhumans) #15; Captain Marvel #1-5; Fantastic Four #74-79; Incredible Hulk #103; Nick Fury, Agent of SHIELD #1-3; years spanned: 1967-68.

a52_bpThe Revolving Door of Avengers Mansion

Captain America can’t return to the team quite yet, but he invites the Black Panther to join in his place. And when the first black Avenger shows up at the mansion, the police promptly arrest him for the murder of the Avengers. It’s all very awkward. But he saves the Avengers from new villain the Grim Reaper (brother of the late Wonder Man and bent on vengeance), and all is well. That leaves us with a lineup of Hawkeye, Goliath, Wasp, and the Black Panther – a formidable but still low-powered bunch.

That Didn’t Take Long – Tales of Suspense #96 (Captain America)

Remember how Captain America quit last time? Made a big fuss, revealed his secret identity to the world and everything? Yeah, well, Cap decides never mind…all in the span of ten pages, because some imposter Caps get themselves in trouble and he has to leap into action to bail them out.

As I said last time, 60s comics burn through plot fast.

“You can’t give up bein’ Captain America…’cause you are Captain America. It’d be easier to turn yer back on Steve Rogers!” –Nick Fury

“I…think you’re…right…Fury! I realize now…a man can’t ever stop being…something that he was born to be!” –Steve Rogers (channeling William Shatner, apparently) (more…)