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Super Comics: Amazing Spider-Man #121 & 122 (1973)

Amazing-Spider-Man-121-CoverSpoilers for The Amazing Spider-Man 2 ahead!

Don’t read if you’re still planning on seeing it! Avert your eyes!

The Silver Age of comic books arguably ended with a two-part Spider-Man storyline from 1973 titled “The Night Gwen Stacy Died.”

Written by Gerry Conway and drawn by Gil Kane, the story delivers exactly what the title says—though, to Marvel’s credit, they didn’t reveal the title until the end of the first part. Unlike in today’s spoiler-filled world, Gwen Stacy’s death came as a shock to ‘70s readers.

In the comics, Gwen was Peter Parker’s first love, first appearing way back in The Amazing Spider-Man #31 in 1965. Mary Jane Watson, whom Peter would eventually marry, was introduced as a romantic rival in #42. But Mary Jane wound up being the livelier character—a vivacious young woman who initially came across as shallow and flighty but was simply masking her true heart. Gwen, on the other hand, was just a nice girl.

So, to prevent Peter Parker from marrying a one-dimensional woman, the folks at Marvel decided to kill off Gwen.

It was one of, if not the first time the hero failed to save the girl—and not just Spider-Man, but super-heroes in general. Sure, they’d screw up from time to time, especially the Marvel ones, but outside of their origin stories, they seldom or never experienced irrevocable failure.

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Is Fantasy Sports is the Last Lonely Island Left For a Sports Fan?

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Katy Perry and J.J. Watt for ESPN Magazine

I’m not sure how it started, but I started receiving ESPN magazine in the mail about a year ago – something about airline miles expiring.  The latest issue, of ESPN magazine, is titled The Music Issue.  Katy Perry and J.J. Watt adorn the cover which landed in my mailbox in the off-week right before the Super Bowl.  Flipping through the pages of this sports magazine reminds me of attending a game of any one of the 4 major team sports in the last 15 years.  And that’s not a compliment.  As I already wrote about here, the Super Bowl isn’t for football fans, it’s for the in-crowd – and in a smaller way, so is attending a regular season game of the MLB, NBA, NHL and the NFL.  The magazine is chock full of how music and sports interconnect, the sports empire that Jay-Z is building, and the relationships between sports players and musicians. Interesting stuff for sure, but it’s just noise to me.

In the ESPN Music Issue, Gene Simmons of KISS (who is co-owner with fellow band mate Paul Stanley of the Arena Football League LA KISS), proudly says “You got to try to break the grounds and not do what Grandpa used to do… It shouldn’t be just football, it should be an event!” Oh dear God. Granted an argument could be made that Arena Football isn’t football anyway, so… big deal.

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Celebrities Behaving Well Awards

Over at acculturated.com the staff presents an award to the most well behaved celebrity.  In the age of the “fail”, it’s rather refreshing to see an outlet take the time to highlight the good that one’s celebrity status can do in the world when used properly.  I encourage you to click over and read about the nominees and cast your vote.  2014’s recipient was Mark Wahlberg.  This year’s winner will see $2500 donated to their charity from the website.

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Trailer Tuesday: “Still Alice”

still-alice-posterWell, as I sat here on my Monday night, perusing the broad (and I mean broad) variety of trailers that assaulted my vision, only one really stuck out. So just like this trailer, I’m going to get down right dramatic.
Kidding. But this trailer is seriously good!

This film has been getting some buzz for a while now, so I probably should have written about it a month ago, but I must’ve forgotten. Ha! That’s a pun that will make sense in a second.  The film stars Julianne Moore as Alice, a mother, wife and linguistics professor whom is diagnosed with early on-set Alzheimer’s disease.  Pun retroactively, and shamelessly, intended.  Okay, I digress.

The shiny happy family includes Alice, her husband John (Alec Baldwin), and threesome of grown children, of which the most prominent character is unfortunately Kristen Stewart‘s Lydia.  As we get a touching glimpse into Alice’s life as a mother and teacher, we see that she is has a wonderful life and career, among which she is very well-respected for her work as a linguist.  In the middle of a presentation, Alice suddenly finds herself struggling to come up with words.  Cut to Alice going for a leisurely run.  This leads her to the middle of a metropolitan area with an utterly discombobulated look on her face, conveying that she has no idea how or why she ended up there.  Julianne Moore’s facial expressions alone are enough to evoke immediate sympathy for this character.  As she later sits her family down to announce that she has been diagnosed with Alzheimer’s, we get a montage of Alice spiraling down into a frighteningly realistic look at what it’s like to live with this disease.  Naturally, we have an uplifting endingkstew-still-alice with Alice choosing to overcome her challenges and saying that all she can do is “live in the moment.”  It’s a message we’ve heard all too often with these kinds of dramas, but this film looks great.

The trailer is fast-paced, to the point and highlights some of Julianne Moore’s best work, in my humble opinion.  I’ve never had a problem with her as an actress, but I have never considered myself a fan of hers, until now. This trailer alone made me a fan of Julianne Moore.  I can’t imagine the emotional range and capacity it must take to portray a character with this kind of depth, but she seems to pull it off very well…and has been garnering the buzz to prove it.

It’s already out, so why are you still reading this?! Go see “Still Alice,” before you forget! Okay, I’m done.

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THE REAR VIEW: Atonement

In the latest reel of The Rear View, Matt sits down with film composer Scott McRae to discuss the Oscar winning score by Dario Marianelli of 2007’s Atonement. The film is broken into three distinct acts and the score for each is masterfully woven throughout.  Scott is a Los Angeles based composer and can be found at mcraemusic.com.

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Trailer of the Year Award – Mad Max: Fury Road

[Update: Headline was changed to reflect Trailer of the Year Award series]

Not to step on the toes of Patrick Lehe’s Trailer Tuesday, it is Wednesday after all, but when I went to theater this past weekend to contribute to the garagantuan January box office take of American Sniper, I was rewarded with what may have been the most exciting trailer I’ve seen in a decade, Mad Max: Fury Road.  I may be a tad late to this party as the trailer was unveiled a month ago, but I hadn’t seen it yet.

Not only is Mad Max back and with the original’s George Miller in the director’s chair, but our hero is portrayed by the great Tom Hardy and he’s brought along the equally talented Charlize Theron.  The trailer literally (and I mean literally) had me slack jawed throughout and sporting a childlike grin when I turned to my wife when it ended – as if begging her to allow us to go see it.  The visuals are stunning.  The editing, music and tone captures the spirit of the madness that permeates this post-apocalytic future.  Damn, I love bold filmmakers and this trailer is no exception. It remains to be seen how the plot unfolds and if Miller, who directed the animated Happy Feet movies, will set the stage of this future world as one that failed to enact a global cap & trade system, thus sentencing Earth to death by climate change.

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Trailer Tuesday: “Old Fashioned”

Well, as many of you have probably caught on, I typically reserve “Trailer Tuesday” for whatever hot new blockbuster is about to hit theatres and give it an in-depth, philosophical and life-changing analyzation. (Sarcasm).  However, this week, I’ve decided to give some love to the little guy…because that’s what we all consist of, isn’t it? Little guys (and girls) trying to make it in a big world. Alright that’s enough philosophy.

In an attempt to compete with, or rather pull attention away from, the impending phenomenon that is the “Fifty Shades of Grey” film franchise, this little indie film called “Old Fashioned” does something unique with its’ trailer. I came across this while perusing the Apple trailers page and was surprised to see such small project getting some love from the Apple monster. 50ShadesVsOFSmall There is no dialogue in this trailer, and it makes direct comparisons to the “Fifty Shades of Grey” books and film, in that it prides itself on being the exact opposite.  Title cards and clips of a young love flourishing roll over a nifty, heartfelt soundtrack that these producers probably found on a royalty free website of some sort.  Either way, I applaud their efforts.  They take the stereotypical characters of the “Fifty Shades” series and intentionally draw attention to the fact that these characters are sincere, innocent, realistic people just looking for love in a…well…old fashioned way.

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25 Animated Films You MUST See: #20 The Triplets of Belleville

When I was looking for a film for this week, I wanted something…new.

Different.

Not in the Japanese anime style, is what I’m saying.

Yes, I realized that when it comes to my animated films, I show Studio Ghibli a lot of love. But I’m working on it. Really.

But difference in animation style isn’t the only reason I wanted to add “The Triplets of Belleville” to the list — this film is just different in general. There really isn’t a way to describe the way I feel about it. You’ll find yourself grinning once the film’s over, because it has this strange ability to be insanely dark and insanely satisfying, all at once. There isn’t just one descriptor that does it for me — weird, goofy, grotesque, odd, magical — it is all these things and more.

This 2003 comedy written and directed by Sylvain Chomet tells the story of Madame Souza, an elderly woman who lives in a slumping house in the parisian countryside with her grandson. When she finds that he is in love with cycling she buys him a bicycle and trains him until he is one of the top cyclists in the world and finally ready to compete in the Tour de France. (more…)

Photo: DirecTV

The NFL Playoff Season Is Over

Photo: Evan Siegle/P-G Media/@PGevansiegle
Photo: Evan Siegle/P-G Media/@PGevansiegle

What a wild final weekend for the NFL. The Green Bay Packers had the NFC title all tied up going into the final 5 minutes of the game before head-butting it all away. Russell Wilson and Marshawn Lynch suddenly awoke and took over, willing the Seattle Seahawks to an overtime victory and securing a second straight NFC Championship title. Over in the AFC, the mighty New England Patriots offensive line allowed the great Tom Brady to wield his power and dominate the Indianapolis Colts to pave their way to a sixth AFC Championship. Congrats to both teams.

Thus concludes one of the more compelling season of the NFL – on and off the field. From the marijuana suspension for Josh Gordon to the violent domestic abuse of Ray Rice and Adrian Peterson, from the rebirth of Tony Romo to the downfall of 49er coach Jim Harbaugh, from writing off  Tom Brady early in the season to wrongly assuming a championship for Peyton Manning in the playoffs. What a great season to witness for NFL fans.

Now, I know what you must be thinking. Wait, it’s not over yet – what about the Super Bowl two weeks from now? I’m sorry to have to break it to you, but for any self respecting football fan, the Super Bowl is not about football. The Super Bowl is an entertainment show. (more…)

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Three Questions for Stephen Limbaugh

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Limbaugh traveling in comfort

Pianist Stephen Limbaugh is set to release his first full-length studio album, Pants.  It’s already bouncing up and down in the Top 50 Classical Hot New Releases on Amazon and it’s not due for release until Jan. 20th.

About two years ago, Stephen Limbaugh’s indie rock band Kingsley, decided to put the band on hiatus so that the members could devote some time exploring other projects.  Kingsley guitarist and front man Brandon Sweeney, and drummer Nadir Maraschin are now playing in The Eeries, a previously unsigned rock band that became an overnight success, and thus signed, when Los Angeles based radio station KROQ played their first single on the air last summer.  

Stephen Limbaugh has gone back to his roots of classical music. An accomplished pianist who just recently performed at the HBO Golden Globes after-party last Sunday, Stephen has played all over the world and, when yours truly first met him, had just arrived back in the United States from Russia where he had performed in a symphony he had also written.  So in anticipation of his debut release, the one with the stars & stripes pants on the cover, I asked Stephen to answer 3 questions about his new album and it’s relation to liberty.  Never one to shy away from answering a question, I present to you Stephen Limbaugh’s answers… unfiltered. You’re welcome.

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What Can Best Improve Healthcare For All? The Fortress or the Frontier?

 

Thought y’all might be interested in checking out this new video from the Mercatus Center.  Bob Graboyes’s metaphor of the Frontier vs the Fortress is a really insightful tool to look at ANY heavily-regulated industry, not just healthcare.

In debates about ideology, left or right, what’s often missed by both sides is the narrative, the emotional and experiential realities of policy.  When we let fear of failure dominate our thinking, we are inexorably led to protecting ourselves and others from those failures.  We often miss the fact that this protection, which seems a costless benefit, keeps us locked in a kind of creative prison.  In order for creatives to use their imagination to solve problems and promote growth, opportunity and prosperity, we have to be ok with risk, and by virture of that risk, failure.  While that may seem dangerous in areas like healthcare, where failure can mean death, we have to hold in our minds that putting our society’s creative minds in a prison also leads to death.  As the FDA onerously tests drugs for years (saving people from bad drugs that could harm them), people suffering from conditions who are denied those drugs during the testing process experience harm and death while waiting.  The notion that the fortress protects us is an illusion.

While it may be difficult and seem dangerous, we have to believe in the human capacity for creative thought.  The innate human drive to the frontier, to exploration and achievement, is ultimately the only resource that can generate solutions that revolutionize life for all.

Photo Credit: Tim Sackton

Literature You Should Know: Tolkien’s The Hobbit

At semester’s end, professors and teachers everywhere face one of their least favorite tasks: grading exams.  Seriously, it’s hardly ever fun for anyone.  J. R. R. Tolkien was no exception.  In fact, one day, he got so bored that on a page that a student had left blank, he wrote what surely seemed like an inconsequential and fairly silly line: “In a hole in the ground there lived a hobbit.”

Little could he know then that he’d just written what was to become one of the best-loved first lines in all of literature.

hobbit coverLike a number of his other books, including Letters from Father Christmas, Roverandom, and Mr. Bliss, The Hobbit started out as a story Tolkien wrote purely for the enjoyment of his children.  But at the encouragement of C. S. Lewis, Tolkien revised it enough to pursue publication, and it was accepted by Allen & Unwin at the recommendation of the editor’s ten-year-old son, Rayner Unwin, who grew up to become Tolkien’s chief publisher.  In announcing the book’s publication in 1937, Allen & Unwin hailed it as “the children’s book of the year,” and C. S. Lewis’ first review states, “Prediction is dangerous; but The Hobbit may well prove a classic.”  Yet apparently, almost no one was quite prepared for how successful The Hobbit would be or what would follow when readers clamored for a sequel—least of all Tolkien himself.

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THE REAR VIEW: Michael Clayton

 

On the latest reel of The Rear View podcast, I sit down with director Matthew Szewczyk to discuss one of his favorite films as a filmmaker, writer/director Tony Gilroy’s 2007 film, Michael Clayton.  Starring George Clooney, the film was billed as a corporate scandal story of the institution versus the individual, however the central theme of the film is about a person trying to figure out their own identity.  George Clooney delivers a very nuanced performance among some other fine powerhouse performances from Tilda Swinton and Tom Wilkinson.  Matthew Szewczyk is also an alumus of the .

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Would You Call Yourself a Libertarian if Satan Said He Was One Too?

The chief philosophical sages of our age, obviously by that I refer to Matt Stone and Trey Parker of South Park, addressed this question somewhat in season 4 episode 7, Chef Goes Nanners. The relevant scene is at 7:44.

In this spoof of the state flag debates across the American South, in particular Georgia, Chef demands changes to the South Park flag because it is racist.  To leave no doubt in the minds of the viewers that Chef is spot on, the flag is discovered to show four white people lynching a black man.

And yet, Jimbo and Nedd, the resident hunter rednecks of South Park disagree, offering what amounts to the same argument relied upon by most southerners who oppose changing their state flags: The flag is a part of our history, our traditions.  While people in the past did racist things and perhaps some minority today holds racist views, the whole culture of the South was not built around racism, and the flag represents the whole culture, not just the sordid parts.

Now for a not so brief digression, I’m from Alabama.  I confess I very much identify with Jimbo’s position at least regarding the flags of the southern states.

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What’s The Biggest Snub in Oscar History?

LegoMovieSure it’s catchy, smart, and witty original song, “Everything is Awesome” was nominated for an award, but the excellent screenplay and overall achievement in, not just animation, but all of filmmaking that The Lego Movie brought this year was grossly overlooked this morning as the nominations for the 87th Academy Awards were announced.  If you’ve heard great things about this movie but still haven’t taken the time to watch.  Please do, you will be pleasantly surprised.  I admit it’s about 15 min too long (lots of toy explosions account for that) but it’s as original as any of the other out-of-the-box films that were nominated for big awards this morning – The Grand Budapest Hotel, Birdman, and Boyhood being prime examples.

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Super Comics: Uncanny X-Men #172 and 173 (1983)

Uncanny_X-Men_Vol_1_172 Let’s go back to the early days of the super-hero movie trend, to the first X-Men movie from 2000. (Spoilers ahead, but it’s been nearly 15 years.)

That movie featured Wolverine and Rogue as our viewpoints characters, and it built a friendship between, which culminated in Wolverine—at great risk to his own health—allowing Rogue to borrow his healing ability so she could recover from life-threatening injuries. I can’t find that scene on YouTube, but is the music that plays during the moment.

I’m guessing that scene was inspired by the events of Uncanny X-Men #172 and 173 from 1983, which were written by main X-architect Chris Claremont and drawn by Paul Smith. This pair of issues serves a double purpose—to follow up the excellent Wolverine miniseries Claremont had just completed with artist Frank Miller, and to establish Rogue as a bona fide X-Woman. By the way, that Wolverine miniseries influenced aspects of The Wolverine movie from 2013, but that’d be a whole other article.

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Trailer 2sday: “Avengers: Age of Ultron” Part Deux

You may notice a slight title change from the usual “Trailer Tuesday” headline. New year, new start right!? Well not really. I just did that because the official 2nd trailer for “Avengers: Age of Ultron” was released tonight! I’ll try to keep this one brief since I get a little long winded when it comes to all things geek-worthy.

As anyone who’s anyone may (or may not) know, the Marvel Cinematic Universe (MCU) has been known for the mystery surrounding its’ projects.  The people over at Marvel have been doing something right for the last eight or nine years, because they seem to reveal the right amount of information at just the right time.  Queue up the new trailer and we’ve got another handful of mystery shots for us to decipher before May hits!

The trailer opens with a pretty familiar scene of a city in turmoil and the Avengers helping to evacuate the innocent bystanders.  Follow that with a few depressingly gloomy looks from a couple of our mighty Avengers, and we’re reminded that this is not going to be a lighthearted, feel-good movie like the first time around.

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Michael Keaton Is…

If there is one thing to like about the Golden Globes, (because the Awards themselves are a joke) it’s that sometimes one of the good guys finishes first and get’s a chance to talk into a world-wide microphone and drop some knowledge.

Michael Keaton was Mr. Mom and Bill Blazejowski. He was Beetlejuice and was Batman. But what Michael Keaton still is and always will be, is Michael John Douglas.

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When The Wrong Mans Do the Right Thing

The Wrong MansThere’s a certain kind of character everyone loves to hate: the supposedly average person who gets thrown into a terrible situation and suddenly becomes unrealistically good at everything he or she needs to do to save the day. Fanfiction writers call the female version “Mary Sue” and her male equivalent “Marty Sam” or “Gary Stu.” Of course, there are plenty of real-world instances of ordinary people doing extraordinary things in extraordinary circumstances, but most people tend to panic in an emergency. Mary Sues are annoying because they ignore that reality. (And having purple hair, wilver eyes, and a fake Japanese name doesn’t help, either.)

Occasionally, however, a writer will turn that trope on its head to great effect. And that’s exactly what actors/writers Mathew Baynton and James K. Corden have done in their action-comedy The Wrong Mans, available in the US on Hulu. Even the title is a twist on Hitchcock’s The Wrong Man, and the first season’s tagline pretty well sets the tone of the series: “Danger called. They happened to answer.”

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Anthem Film Festival: CALL FOR SUBMISSIONS

AnthemThe Anthem Film Festival has now begun accepting early submissions for this year’s event. Anthem is a part of Freedom Fest which is “the world’s largest gathering of free minds” and is held every summer in Las Vegas, NV. 

The early bird submission deadline is Jan 12th but submissions are open until April 13th (it’ll just cost more as time ticks away). You can learn all about the festival and submit your film electronically here.

On a personal note, a documentary short I produced titled Don’t Cage My Speech! screened at last year’s festival where it won an Excellence in Filmmaking award. You can see the short .

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25 Animated Films You MUST See #21: Grave of the Fireflies

So. It’s been awhile. 

Yes, I realize this is an understatement. 

But when it comes to wondering why it looked like I’d fallen off the face of the planet, you can either place the blame on my graduate thesis and full-time job — or the fact that the next movie in this countdown left me a crumpled heap of sadness, a blob of inactivity lurching its way through the holiday season and fighting the urge to live in a glass case of emotion. I hope you choose the latter.

 Grave-of-the-Fireflies-thumb-560xauto-24189Grave of the FireflysGrave of the FireflysGrave of the FireflysGrave of the Fireflies 1Of course, I’m talking about the 1988 film “Grave of the Fireflies” or “Hotaru no haka.” This has everything you need for a good night in of just you, a box of tissues, and a tub of whatever ice cream you prefer, which you will immediately regret consuming throughout the course of this film. 

This Isao Takahata tragedy opens in September of 1945, shortly after the end of World War II, and a crippled Japan is trying its hardest to survive.  The film opens at the ending, so be prepared for a giant sorrow punch to the gut. We meet the deliverer or said punch, 14-year-old Seita who is dying of starvation at Sannomiya Station, main railway terminal for Kobe. When Seita succumbs and dies, a janitor removes his body and finds a candy tin, which the janitor throws away into a nearby field. From the tin springs the spirit of Seita’s younger sister, Setsuko. And boom, you feel another immediate gut punch as the two spirits reunite and Seita beings to narrate their backstory, beginning with the firebombing of the city of Kobe in March of 1945, where they lose their mother

Seriously — minutes in and you already feel a little bit of your soul being consumed by the sheer amount of sad. 

Grave of Fireflies 2But oh wait, on the horizon there’s an entire mountain of sad for you get over. Because though the two siblings manage go to live with their Aunt, she becomes increasingly bitter due to the hardships brought on by the war and the quickly thinning food rations. She becomes so bitter towards the two that Seita decides to leave with Setsuko and care for her on his own. They find refuge inside an abandoned bomb shelter and release fireflies within for light. 

And I’m going to leave it off here. Any more spoilers at this point would either cause you to feel so depressed about pushing this animation through your eyeholes that you’d rather not press play in the first place. 

And I sincerely hope you don’t feel that way. 

Because yes, Grave of the Fireflies is sad — it’s supposed to be sad, and the animators at Studio Ghibli knew what they were out to convey with this film. They do a stellar job of making you care about these two kids, which makes their hardships all the more hard to watch. Every scene is there for a reason, every decision the characters make is a real one that they turn to for extremely believable reasons, and the ending will make this film one you cannot forget — for both exciting and horrifying reasons.  The animation is gorgeous, but depicts two very brutal, heartbreaking lives; the medium isn’t “real,” but brings out emotions and problems that are so real. 

Grave of the Fireflies 3War is a real thing, starvation is a real thing, things experienced by children and adults today all over the globe — and this film will make you think about those things. So, go watch it, and think about some uncomfortable things for awhile. And though I know the holiday season is over, maybe think about bringing about some change when it comes to ending world hunger too.  If you like, take a look at two sites that I’d really recommend: Bread for the World , a religious organization that focuses on feeding the hungry through legislation and boots-on-the-ground type work. Or, if you’d prefer an organization without any affiliation, check out The Hunger Project — both sites let you donate any amount you feel comfortable with, or maybe just read up on what world hunger looks like and educate yourself. 

Or hey, maybe watch “Grave of the Fireflies” first and join me in my cave of sadness — there’s plenty of room. 

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RIP Edward Herrmann

When I was a child I would often drive my mother crazy by re-watching a certain 1979 Edward Herman movie over and over again. It was a film that the NY Times neglected to mention in last week’s obituary of the veteran actor who died of brain cancer at the age of 71. However, that childhood favorite isn’t the only one the NY Times failed to mention.

harrys-war-movie-poster-1981-1020248565In 1981, Herrmann also starred as Harry Johnson (ahem) in the madcap comedy Harry’s War. A B-movie about an average tax-paying American who is bequeathed control of his deceased aunt’s (played by Geraldine Page) property and must summarily defend it from being confiscated by the United States Internal Revenue Service over a technicality. Harry faces pushback from government administrators, news media, lawyers & judges, and of course, IRS agents. It all culminates in a full on military style assault on his aunt’s home in which Harry and his family defend to the bitter end.

I first discovered and watched this film about the same time the IRS scandal hit the news back in 2013. In that context, I completely ate up this movie. Sadly, this movie still works so well today and I’m afraid the plot may be tame by today’s standards. You can watch it for free on Amazon Prime if you have a membership, otherwise it is still absolutely worth the $2.99 and 100 minutes to see Edward Herrmann, in a world without Twitter, Facebook or YouTube, steal a tank and bust through the walls of a news station so he can get on the air and declare war on the IRS with the same fervor as your average passionate blogger.

Edward Herrmann also left behind a vast body of work that included roles in The Paper Chase, Reds, The Purple Rose of Cairo, Nixon, Aviator, and my personal childhood favorite,  and it’s demolition derby finale.