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What is a Pilot Season and Why Should You Care?

An Amazon Prime subscription is a bit like a closet with too many clothes in it: every once in awhile you discover some new thing you forgot you paid for and are pleasantly surprised by it. Among these things is a video streaming service that features a variety of tv and movies, including some originals. There’s also a nifty thing called a pilot season. Viewers can watch a bunch of different pilots, fill out a survey, and Amazon uses the info to determine which ones will become a full series. Essentially, Amazon has turned their entire subscriber pool into a focus group, a market innovation that gives us one more thing to love about the streaming economy.

m2_001_trans_1sht_V1.inddThe concept already has a few success stories to boast, most notably Transparent, which earned Amazon 10 of its 16 Emmy nominations this year, and it won five last year. The show’s lead, Jeffrey Tambor, not only won the 2015 Emmy for Best Lead Comedy Actor, but the equivalent titles at the SAG and Critics’ Choice Awards as well. (I would argue this show shouldn’t be competing in the “comedy” categories based on its content, but I won’t waste your time with that soapbox right now.) There’s also one of my new personal favorites, Mozart in the Jungle, which won the 2016 Golden Globes for Outstanding Comedy or Musical Series and Outstanding Actor in a Comedy or Musical Series. (Transparent was also nominated in both categories).

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Sexy Panties and Prison: What Orange is the New Black Can Teach Us About The Regulatory State

Orange is the New Black

Warning: The following post contains Orange is The New Black spoilers.

If you are a fan of Netflix’s Orange is the New Black, you already know that far too much of Season 3 was spent telling the tale of Piper’s Prison Panties. As a fan of the show, I was a bit sad that the screen time invested in this plotline was not spent on some of the more interesting ones. But as a libertarian, I must say that the way this story concluded in Season 4 provides a great parable for how regulation hurts people in the real world.

Let’s start with a quick recap of what happened in Season 3: The fictional intimate apparel company Whispers made a deal with Litchfield Prison that allowed them to use inmates as cheap labor. As one of the inmates selected to sew the sexy underwear together, Piper figured out that by cutting the fabric differently, she could actually make more panties than what Whispers asked of her. This inspires a new business venture: wearing the surplus underwear for a few days and then selling them to people who are into that sort of thing. By the end of Season 3, Piper has established an entire supply chain: numerous inmates wear the underwear, a naive prison guard sneaks them out, and Piper’s brother sells them on the outside.
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3 Things the Netflix Series, The Ranch Gets Right

Netflix recently debuted a brand new traditionally produced sit-com series that is sitting pretty with a 4 1/2 star rating from their subscribers. Having recently finished watching this first season’s ten episodes, here are three things the series gets right:

1. Ashton Kutcher is front and center.

Kutcher in Bed

Ashton Kutcher stars as Colt Bennett, a washed-up college football QB, who is forced to move back home to the ranch he grew up on with his never-satisfied father, Beau (the great Sam Elliot), and smart-mouthed brother “Rooster” (Kutcher’s former That 70’s Show co-star Danny Masterson.) Mom, Maggie (Debra Winger) is living in her own Airstream behind the bar she owns due to her estranged relationship to husband Beau.

Ever since he debuted on That 70’s Show in the late 90s, Ashton Kutcher has proven himself to be a natural comedic actor with leading man looks.  In television land, this is hard to come by.  He’s maintained relevancy in pop-culture ever since we were introduced to him with stints like MTV’s Punk’d, a bunch of hit (and miss) feature films, as a successful venture capitalist and angel investor (AirBnB, Foursquare), stepping back into TV and into Charlie “Tiger’s Blood” Sheen’s shoes on Two & a Half Men, and bringing it full circle with this second outing co-starring to his former 70’s Show co-star Masterson. Through it all he’s been married to Demi Moore and now is married-with-children with another former 70’s co-star, Mila Kunis, yet somehow has seemingly .

While Ashton is clearly the lead of the show, Masterson, Elliott, the re-emerged Winger (Urban Cowboy) as Beau’s estranged wife, and Elisha Cuthbert (Kim “Kidnapped” Bauer from 24) as Colt’s corn-fed country-girl former high school sweetheart, round a solid cast.  The first few episodes take minute for everyone to gel, but once you know everyone and it feels like they know everyone, it’s a welcome sight when any one of them pops on screen with Kutcher who brings chemistry to each interaction.  The biggest surprise comes from the amount of depth that begins to percolate as the these honest familial relationships start to surface.  Sam Elliott and Debra Winger have both had long careers filled with terrific dramatic performances, that cache helps bring balance to what could easily have been a Duck Dynasty style sitcom. (I contend Duck Dynasty masquerades more as a reality show, when in reality it’s more situation comedy without the acting talent.)

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A Qualified Defense of Fuller House

I intended to watch only the first episode of Fuller House, treat it as a reunion special, and stop there. But the unexpected happened—whenever one episode finished, I found myself clicking on the next one.

Why? It’s not good. Critically speaking, this Full House sequel/spinoff is a bad show. It’s cheesy and predictable, loaded with unsubtle “wink wink, nudge nudge” references to its late ‘80s/early ‘90s heyday, not loaded with any kind of original comedic style, and occasionally downright dumb. (There’s a wrestling episode whose climax is the height of ridiculous stupidity, or perhaps “nadir” is the more appropriate term.) The show’s 31 percent rating on Rotten Tomatoes comes as no surprise…and yet, neither does its 81 percent audience approval rating on the same website.

fuller-house-01Despite Fuller House’s legion of faults, it’s actually kind of nice. It’s the television equivalent of catching up with old friends you haven’t seen since grade school. Sure, on the surface level, you’ve grown apart during the intervening decades, but you’re still peers with a shared history that leads to a sort of unconditional acceptance. A new show with new characters could never get away with all these flaws.

If the show chose to focus on the original adults, then this probably would have felt like nothing more than a cheap rehash, and it would have gotten old very quickly. From what we see, none of them have changed since the ‘90s. Danny’s still got a clean streak. Jesse’s still vain. And Joey’s still clinging to his man-childness.

But the focus wisely shifts to the girls who have grown up since the original series. Yes, it’s absolutely contrived that the premise is a gender-reversed version of the original show, with recent widow D.J. raising three boys with the help of sister Stephanie and best friend Kimmy, and yet it feels appropriate, even without youngest sister Michelle. (I certainly can’t blame the Olsen twins for not wanting to re-utter their old catchphrases that pre-date their memories. The show has a little too much fun picking on them about it, though.) (more…)

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Colin Quinn Unconstitutional is Ratified on Netflix

colinVeteran comic Colin Quinn’s one-man show, Colin Quinn Unconstitutional, debuts on Netflix and offers an often doting and hilarious look back on the creation of the U.S. Constitution by the founding fathers.  Quinn never masks his love for the Constitution and is brilliant at placing himself outside of the traditional red-state vs blue-state mentality that, as he puts it, is tearing this country apart.  The comedian has no problems using the 1st Amendment to go after the trigger warning crowd that , or reminding you that before it existed, talking crap about a king or dictator anywhere else in the world in history would get you killed.  The bulk of the show deals mostly with the writing of the articles of the Constitution and why and how the government was intended to operate.  Being the classic Irish-American that Quinn is, he uses a bar room analogy to explain how the government is supposed to operate.  As mentioned, Quinn tackles 1st Amendment issues, as well as a bit on the 2nd Amendment, but leaves the rest of the Bill of Rights for another time.

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How to Manage Your Binge Watching Problem

yall-got-anymore-of-them-episodesWelcome to Binge Watchers Anonymous (BWA).

I promise, if you follow this simple schedule you can change your life for the better.  If you are like most binge watchers, when season three of House of Cards premiered Friday, Feb 27th on Netflix you were probably done with the 13 episode season by late Sunday night.  After waiting an entire year for the season to debut, you immediately consumed it in less time it took the series editors to edit one episode.  I understand, I’ve been there.  I cut the cord a long time ago.  No cable, no satellite.  My Netflix and Amazon Prime subscriptions were my only link to the “good” part of television.  I have rabbit ears for the occasional sporting event, local morning news, or American Idol (don’t judge me.)

Both Netflix and Amazon have been developing original series for a few years now, and unlike traditional television, they dump the entire season online at once for audiences to consume at their leisure or as fiendishly as possible.  Most people I know, make it a habit to binge watch all 13 or so episodes all at once because, well they can.  As one who’s engaged in the habit, I began to feel disappointed after it was all done.  Because it’s over too quickly.  Sure, I had control and got to maintain the momentum of the series at my own pace, but it was my weakness for cliffhangers that did me in. I began to miss the anticipation you get when having to wait a week to find out what happens next and to digest and savor that one great episode.  Game of Thrones is a great example.  I enjoy watching it week to week because it’s so good and I get months of enjoyment out of it instead of 13 hours over one weekend.

So, if you’ve ever considered trying to maintain a regular schedule of Netflix or Amazon Prime programming, then I have the solution for you.  It’s the BWA 13 Week Program.

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Netflix Gets “Friends”

20130303210812!Friends_season_one_castNetflix announced a huge acquisition move that will stream every episode of the NBC’s nostalgia powerhouse “Friends.” Yet another TV hit is headed to Netflix. Just another sign that Netflix’s streaming quality is primed for major improvement.

The series will be released on January 1st, 2015 and you can bet all the millennials will be watching.

Down in Front: Why I Don’t Go to the Movies

3d-movie-audienceI won’t mince words with you: I hate movie theatres, and I hate myself for it. I don’t know how it happens to me, but I become some cynical old curmudgeon when my film-buff of a husband asks if we can go see the latest flick, and it’s quite a visceral response.  But it wasn’t always this way. I remember quite often going with friends to the movies and seeing big blockbusters for the first time on the big screen: Titanic, The Lion King, Avatar, and others.

And I remember the feeling of excitement, I really do. Seeing things explode, lovers reunite, or a protagonist turn out to be far less of a hero than expected – it was nice, seeing a movie.

Now it’s just constant refusal. Nope. Not going. Even though I’d love to tear into Guardians of the Galaxy and I regret never seeing Boyhood, I’m still not budging.

Why?

I can blame a lot of things, really. The fact that as time moves in its linear fashion, I am forced to become embittered with age and hate the coming generation; the fact that society has obviously declined, somehow right in tandem with my childhood. But in all seriousness, the thing I’m blaming knows no age or amount of perceived politeness: Netflix.

MovieTalkingNetflix has turned a movie theater into a large living room with an even larger cover charge. And it’s a real double-edged sword, because I love Netflix. I love knowing that I can access films (a lot of them Criteron Collection or classics that have been restored) right from my living room. Or, you know, I can binge watch Bob’s Burgers without feeling ashamed. But at the same time, we’ve gone mad with power, and it ties in with the technology we bring along. People sit in theaters and browse on their phones like they’ll be able to press pause and rewind the movie. I’ve seen people check emails, and even take phone calls, during the most pivotal points of films.

But it doesn’t even come close to the people who talk. There is literally nothing worse than sitting in a film and knowing that you’ve lost the seat lottery because you sat next to someone who can’t keep their mouth shut. And I understand, there are moments of a film that are shocking, scary, funny, and they all usually elicit responses that are vocal – a scream, laugh, etc.

But during the last film I saw, Dawn of the Planet of Apes, there was a guy next to me who could not go five minutes without providing his own commentary on the film, the new age equivalent of “DON’T GO IN THERE, NOPE, DON’T DO IT.”

ontrendgravityAnd the film before that? Gravity. Someone messed up my IMAX viewing of Gravity, one of the most immersive film experiences in existence, and I was livid. But my anger is a slow, sluggish one, seeping out of my pores like some radioactive sludge that eventually burns an acidic hole in my hope for humanity to get its act together.

And every time I watch people do this stuff in their seats, I’m always reminded of what I’ve been taught by my screenwriting professors in grad school – the brilliant Tim Kirkman and the wonderfully talented late Syd Field. They always reminded me that when you step into a theater, you sign an invisible contract. You say, “Okay, director, producer, and everyone else involved with this project, I’m here to give you my time. I paid you to come here and sit in the dark with strangers and be told a story, so it’d better be a good one.”

But the more I go to a theater, the more I’m convinced that everyone in the audience has forgotten that this applies to them, too. Being in a theater audience is a beautiful thing when you really think about it – people of all different ideologies, world views, and economic status are gathering together in a room and having a real experience together. And a lot of the time, that experience tells us a lot about us as human beings. But the more people interrupt that experience, the more people that break that contract, the more I’m convinced that the only thing I’m being told is that we really, really suck.

So if you’re reading this, remember the invisible contract next time you’re in a theater, remember that you’re people getting together to have a real experience, and if you just can’t control yourself – that’s what Netflix is for.

 

NETFLIX: When the little guy becomes The Man

It all started with a White Elephant Christmas gift exchange in 2002. Or maybe 2003. It’s really immaterial to the story because either way, Netflix was still new(ish) and novel and no one that I knew was using it, which is always a sure sign of a fledgling endeavor because I’m the opposite of an “early adopter.” (I got a smartphone right around the time your great grandmother did–which reminds me: have you heard of this new thing called quinoa?) So when my mom to a nondescript package in the middle of a pile of unmarked gifts, and discovered a check for a three month trial subscription to a service that would mail her VHSes that looked like CDs, my first thought was, “They deliver movies in the mail? In a red envelope? Oh, man–the future is adorable!”

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Even better was the absence of late fees, which was probably the main selling point for my parents, who had to take out a second mortgage in 1995 to cover fines accrued when a Blockbuster copy of “Ernest Goes to Camp” went missing.

Anyway, I’ll skip over the years of household strife that emerged as an organic development when a family of 6 has to agree on anything, let alone entertainment choices.

(Strikes years 2002-2006 from the record.)

In February of 2007, Netflix announced its 1 billionth DVD delivery. “YES WE CAN!” I shouted to no one in particular, and now kick myself for not trademarking. It seemed like the adorable little engine was going to get over the hill after all. The company’s early successes were had when no one–especially Hollywood–was watching. Studios, normally suspicious of anything they can’t control, practically gave away licensing contracts to the plucky up-start. As a result, Netflix capitalized on the low cost of doing business, allowing it to slowly but surely morph into one of the most powerful entertainment outposts since Philo Farnsworth slapped together a couple of two by fours, threw an antenna on top and called it good.

Since its billionth delivery, Netflix has gone on to partner with some of the best creative voices in film and television, racking up Emmy nominations like it’s 1974 and they’re CBS. Now, in the midst of a new world order that includes Net Neutrality, Netflix is getting even savvier. Last week it was announced that the company mostly known for its online services will be partnering with regional cable companies, whereby essentially acting like a new broadcast channel. This move allows Netflix to spread its risks–and potential for rewards–across more platforms, while other companies like Comcast scramble to figure out ways to keep up.

In just a few short years, the company that got its start renting us movies through the mail has become one of the most dominant forces in the entertainment industry. But empires don’t come cheap, and on the heels of their cable announcement, the media giant also announced that starting in June, subscription rates are set to rise.

It looks like it’s time to call an emergency gift exchange. Let’s hope the check is a little bigger this time.

Take a look, it’s in an e-book / The Midwest loves Neil Gaiman

And there’s hard data to back it up.

Scribd, aka The Netflix of books that apparently 80 million of you already know about (I thought it was an app for people who like to doodle) has released the findings of who’s reading what in America. Some of the results may shock you. More after a word from our sponsors…

Just kidding. We don’t have sponsors.

So about that list. Illinois (American Gods) and Wisconsin (Neverwhere) can’t seem to get enough of English wordsmith Gaiman, while Tennessee and Arizona are basically fraternal twins separated by half a country, with the former checking out Tucker Max’s I Hope They Serve Beer in Hell, and the later thumbing through the book based on the TV show based on the Twitter account, Sh*t My Dad Says. Stay classy, you two.

My personal favorite was Paulo Coelho’s allegorical novella / book most like to appeal to dreamers and/or wannabe tyrants (so I imagine–and I think The Universe might agree) The Alchemist striking a chord with Washington, D.C.’s literati. Alaska rounds out this curious sneak peak into our countrymen’s nightstands by choosing Ben & Jerry’s Homemade Ice Cream and Dessert Book. Alaska. You are hardcore. Don’t you know there are cookbooks for soups? And charred meats? And pies? Basically all hot foods. Maybe check one of those out. There are no late fees.