My previous ranking of every modern Doctor Who episode had become out of date…until now. Series 9 wrapped up earlier this month, and this year’s Christmas special was the last new episode until probably next fall. Time for an update.
I’ve inserted the new episodes into the overall worst-to-best rankings, which debuted in four parts early this year:
But if you just want to focus on the newest season, I’m including the Series 9–only list below (same text I’m inserting into the full list). Note that this was a more serialized season than previous years. It featured a mix of conventional two-parters (The Magician’s Apprentice/The Witch’s Familiar, Under the Lake/Before the Flood, and The Zygon Invasion/The Zygon Inversion) and episodes that directly continued into each other while each maintaining its own flavor (The Girl Who Died/The Woman Who Lived and Face the Raven/Heaven Sent/Hell Bent). The episodes in the latter category are separately ranked because their different flavors merit individual attention.
This was an excellent season on the whole, a big improvement over the past few years, with no real clunkers in the mix. But, as always, some are better than others.
#28 Amy’s Choice: A dream-based episode where the stakes feel real. The set-up is intriguing with the characters not knowing which of the two realities is the dream, and it’s all grounded by a strong emotional core. I’m not sure how Amy fell in love with Rory back in these pre–Hitler-punching days, and that does mar the episode just a tad, but great stuff otherwise.
#27 Last Christmas: Another dreamy episode, but a totally different one: Doctor Who does Inception, guest starring Santa Claus. It’s one of those ideas that could easily have gone so wrong and yet somehow finds the sweet intersection of Christmas and sci-fi.
#26 Midnight: I wouldn’t want every episode to be like this, but this is a wonderfully tense change of pace, and one of very, very few Doctor Who episodes that could conceivably be staged as a play. All that repetition is unsettling, but it’s a good unsettling. (more…)
Certainly not FIFA. And maybe not even the Canadian Soccer Association. Probably a few corporate sponsors including the upstart carbonated beverage maker known as the Coca-Cola Company; some plucky airbnb users for sure; and definitely Fox Sports. But after three decades of international play and an on-again / off-again romance with the beautiful game, is it possible to defend an American cultural interest in soccer as played by the most successful national team in U.S. history (sorry, Dream Team)?
Now we’re getting into the good stuff, and we still have the best stuff to look forward to. How lovely. For anyone just tuning in, I started this worst-to-best ranking of modern Doctor Who two weeks ago with the weakest episodes in “I’m Sorry. I’m So Sorry,” continued with the middling ones in “Are These Good Episodes?” and here we are now in the penultimate entry:
(Spoilers!)
“These Episodes Are Cool”
#56 42: What should’ve been a wonderfully tense, 24-style thriller winds up being merely pretty good. Trivia as security questions? What?
#55 Tooth and Claw: A decent romp with a werewolf, ninja monks, and Queen Elizabeth. Not an all-time classic, but kind of fun.
#54 The Vampires of Venice: One that falls squarely in the “good dumb fun” category. The plot about fish aliens wanting to repopulate their species (while coincidentally resembling vampires) is kind of so-so, but the episode’s high on adventure and the Doctor makes a memorable entrance at Rory’s bachelor party.
#53 Deep Breath: Victorian society is awfully nonchalant about the sudden appearance of a dinosaur, isn’t it? Honestly, I’m getting tired of the Paternoster Gang by this point. The Sontaran is just too dense. But Peter Capaldi has some great scenes that save what’s otherwise the weakest introduction of a modern Doctor to date. And Clara starts to evolve into an actual character, thank goodness.
And we’re back for more fun with numbers as I continue ranking every modern Doctor Who episode from worst to best. I scraped the bottom of the barrel last week, so now we move on to the middling episodes. That sounds thrilling, doesn’t it? Even though I’m being critical here and these are very flawed doses of the Doctor, they’re perfectly entertaining ways to indulge in 45-minute breaks from the world, but maybe only if you’ve grown tired of re-watching the best episodes too many times. I’d still take any of these over much else we find on television these days.
Now remember – Spoilers!
“Are These Good Episodes?”
#85 The Bells of St. John: The introduction of the “real” Clara (Clara Prime?) includes great bits, including nice scenes with the Doctor and his soon-to-be-companion plus a brief trip aboard a crashing plane. The sexism with the monks isn’t so great, nor is the idea of presenting Clara as a mystery to be solved rather than a fully formed character in her own right. And the plot about people getting trapped in wi-fi is pretty basic.
#84 The Name of the Doctor: Some cool ideas, like the Doctor visiting his own grave (the one place a time-traveler is never supposed to go—aside from pretty much anywhere in his or her own past, right?) and some incredibly poor payoff—namely, learning that Clara’s many lives existed just to keep the Doctor safe. The story feels like it needed more fleshing out for everything to work properly. Great final scene with River, though, that addresses the troubling end of “Forest of the Dead,” even if it doesn’t fix it. (more…)
The Internet likes a good list, doesn’t it? A nice comprehensive, frivolous ranking of a beloved something or other?
All right then. Let’s do this. Let’s rank every episode of modern Doctor Who from worst to best in four weekly installments: “I’m sorry. I’m so sorry,” “Are these good episodes?”, “These episodes are cool,” and “Fantastic!”
I tried not to agonize over the exact rankings, because I wanted to be done this century, so assume a margin of error of plus or minus a few. If I did this a year later, the order would likely turn out differently. It’s all just my opinion, and I respect that you’ll likely disagree. (I know—how dare I rank that episode that low and that episode that high?) This is just for fun, a way to reflect on what’s been a great science fiction series overall.
I love Doctor Who even though not every episode is a winner, and I appreciate how hard it is to write for television. Both showrunners, Russell T Davies and Steven Moffat, have given us brilliant episodes, and both have been guilty of failing to rein in their excesses. Nevertheless, the show remains great on the whole, and I’m thankful for the many wonderfully entertaining hours both writers and their teams have given us.
But none of us are perfect. So in this first part, let’s get the misfires out of the way:
Peter Capaldi’s 12th Doctor has debuted. So what’s the verdict? How does the future of Doctor Who look?
Well, we’re only two episodes in, and that doesn’t supply enough information to render final judgment, but here’s my initial impression:
The Doctor is a captivating jerk.
Capaldi’s performance is superb. He commands the viewer’s attention, and like all great actors, his character seems to have quite a bit going on beneath the surface. Tremendous screen presence.
He’s the oldest Doctor of modern Doctor Who and especially older than the 10th and 11th incarnations (David Tennant and Matt Smith, respectively). As wonderful as his predecessors were, that’s a nice change of pace. Less running around, more mature speech patterns. I doubt we’ll hear him invent phrases like “timey-wimey.”
“Old” doesn’t mean “weak” with this Doctor. Quite the opposite. He exudes formidability and intelligence, turning longevity into a strength (appropriate for a series that recently celebrated its 50th anniversary). If the world was in danger, you’d want his help.
But he’s also a harsher Doctor, which is troubling. Whereas past Doctors might have lapses into unintentional rudeness as they’d get lost in their own heads, the new Doctor seems entirely cut off from any empathy. In the premiere episode, “Deep Breath,” he leaves his companion Clara to fend for herself in a dangerous situation, and in “Into the Dalek,” he displays no remorse when someone dies right before him.
This detachment renders the Doctor’s behavior downright alien. And though he is an alien, he’s also a character in what was originally conceived as a children’s show. Doctor Who has grown up into a series that can appeal to many different age groups, but my feeling is the Doctor should always remain a good role model for younger viewers. He doesn’t have to be perfect, but he should continue to hold all life in the highest regard, maybe show some warmth and understanding once in a while. Maybe he’ll mellow out and get there, but so far, this isn’t a Doctor I can recommend as a role model.
But for the adult viewer, he’s still a fascinating character, and I’m curious to see what happens to him. Capaldi’s performance has my attention.
Doctor Who fans are getting ready to meet the latest incarnation of the ancient alien who travels through all of space and time in a blue box that’s bigger on the inside.
A clever plot device has helped keep the BBC series on the air for so many years. Whenever the Doctor dies, he regenerates into a new body and picks up life right where he left off—with some new personality quirks and different taste in clothing, but his core characteristics and memory remain more or less intact.
That’s certainly one way to keep things fresh.
Unlike James Bond, Doctor Who has a valid in-story reason for why 11 (and now 12) different actors have taken on the title role over the past 50 years.
Peter Capaldi will star in his first full episode Aug. 23, and Whovians will get to meet the Doctor all over again. A season premiere is that much more exciting when it basically doubles as a series premiere of sorts, too.
So, let’s take a quick look back in time at the introductions of the previous three “modern” Doctors (since the series returned to television in 2005).
Christopher Eccleston
9 – Christopher Eccleston took over the role in the 2005 pilot “Rose.” So yes, he didn’t just take over the role—he resurrected it for a whole new generation. If he had flopped, Entertainment Weekly would have had significantly fewer Doctor Who articles over the past several years.
Just a little bit of pressure then.
“Rose” had a lot to do, and thankfully, it didn’t try to do everything. No talk of far-flung concepts like Time Lords or regenerations (though Eccleston’s Doctor takes a blink-and-you’ll-miss-it glance in a mirror to check out what his face looks like these days). This is a straightforward adventure told from the point of view of a normal 19-year-old Earth girl, Rose (Billie Piper). Through her, we gradually learn about this strange man and become intrigued by him.
It’s not perfect. The episode is rather cheesy in places. (How does Rose not notice her boyfriend isn’t quite himself?) But it’s fun and establishes Eccleston’s Doctor as a man you’d want protecting the world.
David Tennant
10 – Fans had grown accustomed to traveling with Christopher Eccelston for one whole season…and then he became David Tennant.
Longtime Who fans were used to their hero regenerating ever since the original Doctor, William Hartnell, morphed into Patrick Troughton into the 1960s. But the newcomers still needed someone to convince them that the Doctor was worth following no matter who was playing the role.
Tennant’s first full episode was “The Christmas Invasion” at the end of 2005. This new Who universe was already established, as was his companion Rose and her supporting cast. It just had to establish Tennant’s Doctor.
So, naturally, he spends much of the episode in a regeneration-induced coma, not fully emerging until the grand finale.
And it’s brilliant. We watch Rose wrestle with the idea of her dear friend suddenly becoming a new person, mirroring the concerns some viewers may have had. We’re left in suspense as mankind struggles to deal with a visit from not-so-benevolent aliens while the Doctor sleeps. When he finally does make his big entrance, it’s well worth the wait, and we’re assured that, yes, this is the Doctor, even though it’s not exactly the same Doctor.
Matt Smith
11 – Tennant wound up being such a beloved Doctor that whoever came next would need to prove himself very quickly. And Matt Smith does just that in “The Eleventh Hour” in 2011.
This episode is basically a re-pilot. Not only do we have a new Doctor, but we have a new companion (Amy Pond, played by Karen Gillan), and a new showrunner (Steven Moffat, taking over for Russell T Davies).
A fast-paced adventure builds up to this moment, in which the new Doctor talks down an alien invader while figuring out his wardrobe.
His monologue and the flashing images show us that there’s continuity between what’s gone on before and where we’re going from here. We even get quick glimpses of the previous 10 Doctors in rapid succession, until Smith’s Doctor steps through, appearing in his soon-to-be-trademarked outfit for the first time, all while composer Murray Gold’s new “The Doctor is about to do something awesome” score plays.
And we’re sold. Matt Smith is the Doctor.
At least, he was until last Christmas.
Modern Who is three-for-three when it comes to successful introductions of new Doctors. Hopefully, Capaldi’s premiere will continue the trend.