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“Girls” Season 6 Episodes 4 & 5 Recap: On Hannah’s Pregnancy

So much happened in episodes 4 and 5 that it’s hard to know where to start. I resort to a list:

  • Hannah interviews a female writer that tells her “childlessness in the natural state of the female author.”
  • Hannah finds out (via an embarrassing encounter with a previous love interest/doctor) that she is pregnant from her rendezvous with the surf camp instructor in episode one.
  • Hannah decides to keep the baby even though she has a mounting list of reasons why she probably isn’t ready.
  • Jessa and Adam decide to make a movie together about their past with Hannah. Jessa doesn’t like Adam’s representation of his previous relationship.
  • Marnie is still seeing Desi, but in therapy. And her narcissism is at peak Marnie. She declares that she has bruises all over her body from the two-hour massages that she needs in order to deal with the stress of Desi’s addiction.
  • Ray realizes that Marnie is cheating on him and he eventually breaks up with her.
  • Ray’s friend Hermie dies suddenly, leaving Ray to reevaluate his own life.
  • Elijah does not take the news of Hannah’s pregnancy very well because he’s feeling particularly left behind compared to the life achievements of his friends. He tells Hannah that she’ll be a terrible mother.
  • Hannah’s mother, Loraine, also doesn’t like the news of the pregnancy and she tells Hannah, “Every time I look at your baby, I’m going to see my own death.”

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Could an app be the future of publishing? A conversation with Connu Co-Founder

A new short-story publishing app is changing the way an entire industry does business

As of last count, I have 36 of apps on my Smartphone. Outside of Twitter, Yelp, and Uber, Connu is one of the most valuable. It’s been a particular life-saver during recent cross-country trips, and the audio version serves as a nice companion when I’m out for a walk.

Connu, an iOS and Android app, publishes (Monday through Friday) short stories written by up-and-coming writers who are recommended to the editors by already established writers.

connu photo main

Oh. And it pays them.

In a publishing landscape dominated by websites routinely asking writers–historically not well-known as being a financially stable lot—for free content, it is rare to have an outlet that doesn’t buy into the myth that “exposure” is an even trade for one’s work. (Probably the most recent, brazen example of this is Entertainment Weekly.)

But this is certainly not a 21st century problem. Years ago, Ernest Hemingway counseled friends who were about to launch a new literary journal thusly:

One of the most important things I believe is to get the very best work that people are doing so you do not make the mistake the Double Dealer and such magazine made of printing 2nd rate stuff by 1st rate writers. I see by your prospectus that you are paying for [manuscripts] on acceptance and think that is the absolute secret of getting the first rate stuff. It is not a question of competing with the big money advertizing magazines but of giving the artist a definite return for his work. 

First off, the Double Dealer sounds horrible. Good riddance. But secondly, it seems unfortunate that Hemingway’s advice, given almost a hundred years ago when publishing magnates still roamed the earth, is still relevant. Enter Connu—a new, digitally relevant source full of procured, purchased material. If that sounds more like a publishing company than an app, well…that’s because it is.

I recently spoke with Susannah Luthi, co-founder of Connu, who was kind enough to indulge me in a conversation about her experience as a classics major, journalist, and MFA-graduate-cum-techie who decided to schlep herself and her copies of The Aeneid to the San Francisco Bay Area in order to develop Connu. To date, Connu has received recommendations from writers such as Sam Lipsyte, Joyce Carol Oates, Aimee Bender, David Sedaris, Janet Fitch, Wells Tower, and Lauren Groff.

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