James Duncan is the author of Blood Republic, arguably the first-ever “Libertarian” political-thriller. Published by Primal Light Press, the highly praised work of fiction has arrived just in time for the current-election cracks within the two-party system, leading many readers to the question, “did the author have a crystal ball?”
During the closing hours of the tightest presidential election in US history, firebrand Annie Daniels is a Democratic-socialist senator determined to win the White House. She dreams of eradicating injustice, and hopefully, saving her dying daughter’s life. Major Amos Daniels, her conservative Green Beret brother, might have something to say about that though, if her plans go against his faith. As an Electoral College tie nears, the country erupts into rioting, and Annie and Amos are thrust to opposite ends of a constitutional crisis with guns drawn. Will the Daniels family find common ground above ideology to prevent a second civil war? Or, will an unknown enemy-of-the-state escape justice while pushing the nation into chaos?
[Editor’s note: The following is a guest review by Brian Watt originally posted in the members only section at Ricochet. It has been posted here with permission from author.]
Only a handful of theaters around the country are still showing the Ridley Scott-produced and Daniel Espinosa-directed Child 44. It is available for pre-order on Amazon and iTunes now, so should be released for sale or rental within a month. If you search for reviews of the film you’ll find a mix of opinions and several of them negative though IMDB does display an overall rating of 6.4 out of a possible 10, which isn’t that bad. Most critics and moviegoers have complained that as a thriller Child 44 is just not taut or thrilling enough and instead is too dark, brooding, oppressive and ponderous — essentially not akin to other flashier blockbusters in the genre – any of the films in the Bourne series or even more realistic and slow-paced spy thrillers that probably tread more closely to actual spycraft, like Tinker, Tailor, Soldier, Spy.
If you want extreme car chases through the streets of Moscow, motorcycles racing over rooftops, explosions hither and thither or endless and preposterous martial arts fights where good guys and bad guys leap onto walls and do back flips and break each other’s kneecaps, then Child 44 will surely disappoint — though it does have three intense fight scenes, particularly one aboard a train, that all appear much more realistic and chaotic and less choreographed than anything you’ll see in a Bourne or Bond film.
It seems to me that the more salient reason Child 44 will disappoint is because it is not a spy thriller at all and I would argue is not intended to be a thriller but more of a detective story while also a graphic indictment of how dehumanizing communism is when practiced. The film is based on the Tom Rob Smith novel of the same name (which admittedly I’ve yet to read), but which I understand is loosely based on real-life serial killer, Andrei Chikatilo, also referred to as the Butcher of Rostov or the Rostov Ripper, who was active between 1978 and 1990 and who sexually assaulted and brutally murdered 52 women and children that authorities know about in Russia, the Ukraine and the Uzbek regions during the latter years of the Union of Soviet Socialist states.