Monday, April 24, was this year’s Yom HaShoah–Holocaust Remembrance Day. There are a great many books on the subject, from The Diary of Anne Frank to MAUS and beyond. But one of my long-time favorites is the story of a family recognized by Yad Vashem as “Righteous among the Nations” for their work in saving Dutch Jews: The Hiding Place by Corrie ten Boom, with John and Elizabeth Sherrill.
Veteran comic Colin Quinn’s one-man show, Colin Quinn Unconstitutional, debuts on Netflix and offers an often doting and hilarious look back on the creation of the U.S. Constitution by the founding fathers. Quinn never masks his love for the Constitution and is brilliant at placing himself outside of the traditional red-state vs blue-state mentality that, as he puts it, is tearing this country apart. The comedian has no problems using the 1st Amendment to go after the trigger warning crowd that can’t take a joke, or reminding you that before it existed, talking crap about a king or dictator anywhere else in the world in history would get you killed. The bulk of the show deals mostly with the writing of the articles of the Constitution and why and how the government was intended to operate. Being the classic Irish-American that Quinn is, he uses a bar room analogy to explain how the government is supposed to operate. As mentioned, Quinn tackles 1st Amendment issues, as well as a bit on the 2nd Amendment, but leaves the rest of the Bill of Rights for another time.
Next up in our ongoing series highlighting the film projects that were produced during the 100 day challenge laid out by Taliesin Nexus’ Liberty Lab for Film, we bring you another comedy web-series. Wigs was created by writer Richard Mattox and director Matt Edwards (both SCC contributors).
Sick and tired of seeing all the attention that comic book superheroes garner on the sidewalks of Hollywood Blvd., Virginia, a widowed grandmother with some disposable income, forms “Wigs on Wheels”, a group of historical re-enactors who travel around Los Angeles bringing real American heroes like Abraham Lincoln, Frederick Douglass, and Dolley and James Madison to life. Overzealous police, smart-aleck kids, and internal subversion are all present in this hilarious comedy.
Wigs garnered first place and the filmmakers were awarded $2000 for their work during the 100 Day Challenge of the Liberty Lab for Film.
[Update: Taliesin Nexus has extended the deadline to apply for this year’s Liberty Lab for Film until midnight Monday the 25th for all you last minute shoppers out there.]
Smash Cut Culture: What drew you to becoming a filmmaker?
Richard Mattox: I was always interested in the performing arts. I had experience acting, playing music, and singing all throughout my childhood. But I think it was Peter Jackson’s Lord of the Rings trilogy that inspired my to become a filmmaker. I remember writing my own sequel to the films. It was a 10 page script in which I was the lead. I can still remember standing behind my mom as she operated the camera, banging pots and pans together for sound as my neighborhood friends tromped around the snow fighting with plastic swords.
Matt Edwards: Growing up in Los Angeles I was exposed very early on to the behind-the-scenes action of some of my generations favorite TV shows. With action scenes from shows like Knight Rider, The Fall Guy and The A-Team being filmed on the streets of my neighborhood, I figured every kid knew how the “sausage was made” and it was no big deal. When I hit college and met more people not from LA, I realized how lucky I was to have sort of a home court advantage when it came to being comfortable trying to make it in Hollywood and I better not waste the chance. Plus I fell in love with Hitchcock movies at about age 9, and never looked back.