This year marks the 25th anniversary of Martin Scorcese’s New York mafia masterpiece Goodfellas. Film critic Sonny Bunch over at the Free Beacon writes about the iconic film and points out, rightly so, the obsession with the shot.
The tracking shots have been discussed to death—I defy you to find a listicle celebrating the “long shot” that doesn’t include Goodfellas’ Copacabana entrance, along with Touch of Evil’s first crane shot and Altman’s work on The Player—but Scorsese isn’t just showing off. These shots serve a purpose. My favorite is early on, when we track through a restaurant and are introduced to the guys in the crew, Jimmy Two Times and the rest. These new characters, several of whom we never see again, make eye contact with the camera (that is, the viewer), welcoming you into their world, insinuating you into their scams.