In an attempt to release a movie so huge it’ll give each fan his very own heart attack, Disney has crammed every single hero from the Marvel Cinematic Universe into one (okay, two) giant film(s). To prepare for the only film with a call sheet longer than its running time, check out the following fake spoilers for Avengers: Infinity War…
Continuing the read-through of as many Avengers and Fantastic Four–related Marvel comics as possible!
Fantastic Four #94-104; Avengers #73-83; Captain America #121-133, Captain America and the Falcon #134; Iron Man #21-32; Incredible Hulk #125-134; Thor #172-181; Amazing Adventures (starring Black Widow) #1-4; years: 1970-71
The Revolving Door of Avengers Mansion
Yellowjacket and Wasp are out so Hank Pym can do science for the government, but Quicksilver and the Scarlet Witch are back, thus filling the Avengers’ quota of unhealthy relationships. And then the Vision abruptly leaves shortly later…and returns almost immediately.
The Best of This Bunch – Iron Man #21-22
Archie Goodwin’s solid run on Iron Man continues with a tale of Tony Stark trying to quit his superhero life…and realizing he can’t. The story features tropes that have become too commonplace these days—a replacement for the hero, a replacement for an old villain, and the death of a romantic interest. But these tropes were fresher in 1970 and, in this particular instance, well-handled.
Iron-willed boxer and all-around decent guy Eddie March makes for a likeable potential Iron Man, though he has a medical condition of his own that cuts his super-heroic career short. Surprisingly, he survives the tale, but Janice Cord’s death comes out of nowhere.
Janice had been portrayed as a potential girlfriend for Tony Stark for the past twenty issues or so. Now, after an experimental medical procedure leaves Tony Stark’s heart healthy enough for daily life but not necessarily superhero life, he decides to pursue a normal relationship and pass the Iron Man armor onto a worthy successor.
However, Janice hasn’t sprung to life as a particularly memorable or compelling character…so she must die, naturally. In the story’s defense, back in these days, any character who lasted beyond his or her first or second appearance wasn’t likely to die ever. So at the time, this was a somewhat bold story decision on Goodwin’s part, even though to modern sensibilities, the automatic reaction tends to be, “Ugh, another woman killed to provide motivation for the male hero?”
Goodwin’s run ends several issues later, and the drop in quality is steep. (more…)