I never grew up reading the Captain Underpants book series by Dave Pilkey; they were as us old-folks say “before my time.” Still, something about the trailer spoke to me, and I found myself watching the film Captain Underpants: The First Epic Movie (2017).
In the film, best friends Harold and George, a storyteller-artist tandem obsessed with creating comic books, find themselves at odds with their fascist Principal Krupp. The Principal is obsessed with order, structure, and efficiency; all of which come at the expense of his student’s creativity, and innovation. With the use of a cereal-box hypno-ring, the two hypnotize Principal Krupp into believing he is the embodiment of their comic book magnum opus, Captain Underpants. With Captain Underpants as their principal, their harmless pranks become a welcomed addition to school, and art and music are returned to the school curriculum. They spend their day helping the Captain blend in as a convincing principal, and making sure he does not accidentally return to his natural Krupp state.
What would happen if everyone was connected via social media? What if all their information was public? What if there were cameras literally everywhere to make sure that any and every experience was accessible to all? What if people voluntarily agreed to this world because a slick talking ceo convinced them it was better? These are just some of the questions raised by “The Circle.”
While many critics didn’t like “The Circle,” I actually thoroughly enjoyed it. I think some of those issues came from the marketing of this movie, as the film isn’t really worthy of the title “gripping thriller” that it claimed. “Thought-provoking drama” is more appropriate. The story starts when Mae (Emma Watson) gets a job at “The Circle,” which is like the love child of Apple and Facebook.
I don’t know about you, but I have been anxiously awaiting a “Wonder Woman” feature film since rumors circulated in the late ’90s of one starring Sandra Bullock. For me, the films near twenty-years in pre-production hell was well worth the wait.
For starters, “Wonder Woman” is the film that we needed to finally prove the Exec’s wrong. The belief that female superhero films cannot be successful is farce! You may remember leaked emails from 2015 revealing their suspicions that female characters were not a draw in the box-office. The failure of female comic book movies – or any comic book movies for that matter – has nothing to do with the sex, gender, or ability of the character. No instead, as fans have always maintained, the failure of comic book films is the result of shoddy film making at the hands of filmmakers who do not understand the properties they are working with. “Wonder Woman” is a film seeming created by those who seem to understand, and love, the character. And what a difference it makes.
Adam Carolla and Dennis Prager are teaming up to make a new documentary about the “safe space” phenomenon that is plaguing college campuses across America. The pair has been filming for the past few months, but now they’ve launched an Indiegogo campaign for $500,000 to help them continue production on “No Safe Spaces.”
Have you ever heard of the GI Film Festival? Since 2007, this annual festival has been building community and film-making around subjects of military and veteran experience. The festival is “dedicated to preserving the stories of American veterans past and present through film, television and live special events.”
You may have missed this Studio Ghibli film since it is approaching its twenty second anniversary in July, but you still have time to seek it out, and it is well worth the search.
The first film produced by Ghibli that was not directed by either Hayao Miyazaki or Isao Takahata, it is much quieter than some of the studio’s better known films. The story focuses on fourteen year old Shizuku dealing with two big coming-of-age moments: realizing her passion/dream to write, and navigating her first love.
I hate the film Guardians of the Galaxy. I hate it. I understand that my position is not a popular one; but then again, I never really was that popular. Need proof? Look me up in the high school yearbook.
I hate the film and everything about it, from its Kevin Bacon inspired jokes to its talking Raccoon. I have spent the better part of the last two years trying to convince the rest of you, that I am right. With the sequel arriving in theaters, I will give this one another go.
I hate Guardians for one simple reason: lazy storytelling. Essentially, Guardians of the Galaxy (2014) is a carbon-copy of the Avengers (2012) formula, just with a relatively obscure series from deep within the Marvel vaults. And yes, before you start questioning me and my fan-boy creds, I am in fact one of some twenty-five people who has ACTUALLY read the Guardian’s books.
Every day, fans of a certain niche genre or specific property, get together create something purely out of love for that video game, movie, book, or tv series. Usually, they are met with scorn by the rest of the fan base, because the production value and story miss the mark completely. Ending in embarrassment. (Although there is sub-sub fan base who will love it for all its awfulness.)
But every so often, a gem is meticulously mined, polished and put on display for the world to marvel at. In this case, the world of the FPS video game from Blizzard, Overwatch. Available on Xbox, Playstation, and PC, Overwatch amassed a tens and nines and five stars reviews from all the major video game press outlets. Currently the games attracts 30 million players from all over the world. So, no pressure on the guys who wanted to make a live-action fan film.
Lupin Productions, headquartered in Tennessee, decided to take on that task. The small southern production company just released Heroes Never Die on YouTube and it has already amassed over 200,000 views and 7100 thumbs-up within the first 3 days of release. It’s fair to say that the fans of Overwatch, all over the world, are pleased with this live-action fan made short film. If you are thinking of heading out to do your own fan-fiction short film, the bar has just been set a little bit higher.
The film “Dallas Buyers Club”, starring Matthew McConauhey in his Academy Award winning role, is about Ron Woodroof, a man exposed to the AIDS virus who starts a buyers club – a network of infected individuals that help each other get life-saving medication.
The homophobic, free wheeling cowboy Ron contracts the HIV virus through the casual sex he has on a regular basis. The disease, stigmatized at the time as a “gay man’s” ailment, forces Ron into personal hiding, as he’s affronted with homophobic slurs despite his heterosexual lifestyle.
Monday, April 24, was this year’s Yom HaShoah–Holocaust Remembrance Day. There are a great many books on the subject, from The Diary of Anne Frank to MAUS and beyond. But one of my long-time favorites is the story of a family recognized by Yad Vashem as “Righteous among the Nations” for their work in saving Dutch Jews: The Hiding Place by Corrie ten Boom, with John and Elizabeth Sherrill.
(B&B is in the public domain of everyone’s childhood so Boblius refuses to acknowledge plot details as “spoilers.”)
Before he’s THE BEAST, Beast is a tax-and-spend Prince. He vacuums income from the subjects of his French village to throw lavish parties where he prances around like Agador from The Birdcage (but somehow isn’t the gay character people are up in arms about?). The villagers are happy to RSVP in the affirmative for pre-Beast’s parties as long as he doesn’t mock them.
When a disheveled and smelly (one assumes) crone stumbles into pre-Beast’s latest party offering a single rose in exchange for shelter during a horrific storm, he laughs her offer away. Only pre-Beast gives out the roses in this edition of Bizarro Bachelor. For his haughtiness, the crone reveals herself to be an Enchantress (we wouldn’t want to call her a witch in a movie starring Hermione) then transforms pre-Beast into THE (CGI) BEAST. Finally. Now he looks like the Beast from our childhood. Whew. (more…)
Jason David Frank – or maybe you better remember him as Tommy Oliver – has to be credited as one of the driving forces behind the new Power Rangers movie. After the internet hyped some really great Power Ranger shorts, JDF approached series creator Haim Saban about the possibility of a mature Power Ranger movie following the Green Ranger (which would have been awesome to watch). Instead of limiting the film to just the Green Ranger, we get a full cinematic reboot of the series in the new film Power Rangers (2017).
These Rangers are very different from the ones we remember. While in the series Zordon instructs Alpha to recruit “teenagers with attitude,” the original Power Rangers severely lack the attitude. They are essentially “squeaky-clean” kids with martial arts skills. These new Power Rangers – screw ups, trouble makers, and even bullies – are edgier, bringing a certain amount of depth and realism to the characters. While the purists might see this as tainting the beloved heroes, to true intention is to sever the “campiness” which defined the series in favor of something more “realistic”.
(Get Out of this page if you don’t want any spoilers.)
Yes, the Armitage family is cool. So hip! Rose (Allison Williams) is a knockout AND willing to stick up for her black boyfriend, Chris (Daniel Kaluuya), when a white cop gives him a hard time. They arrive at her parents’ estate where her parents don’t disappoint. They have created an environment where their kids are comfortable swearing in front of them. And talking about sex! Hell, Dean (Bradley Whitford) and Missy (Catherine Keener) even let them stay in the same bedroom. So chill! Despite Dean’s clumsy (but genuine) praise of Obama as opening conversation with a black man, their coolness is still intact by nightfall. Should we be worried yet?
(Note: Boblius is rarely invited to studios’ critic screenings therefore at Get Out he found himself seated near an older couple with a 4 year old girl. Yes, these grandparents brought their granddaughter to Get Out. More on this later.)
“Mad Max: Fury Road” is a story about a group people who, quite literally, break the chains of their bondage and rise up against authoritarianism.
In the film, Tom Hardy’s character (Max) is captured and enslaved, his only purpose in life to provide clean blood to the ruling class’s warriors. Meanwhile, Immortan Joe, the land’s ruler, maintains power with an iron fist forged by military might and the flow of resources. Joe keeps his people in line, keeps his subjects suppressed, by restricting their access to water – then preaching his necessity and humility when he allows a few drops to fall on the masses.
This film is about a lawyer who gets trapped up in a government conspiracy. The director of the NSA is involved in killing a man and he was caught on camera. The man who filmed it is found out through NSA spying and runs the video over to his friend who is a lawyer before jumping into traffic. The lawyer now is on the run from the NSA hit-man and cleverly gets the mob involved to “kill two birds with one stone.”
(Spoilers? Just some mild ones, bub.)
Yes, it’s good to see Wolverine in action again. Pairing him with a mini-me (or mini-him… er, actually a female mini-him) smelled like a big fat gimmick upon first glance (or whiff) but Wolver-tween is interesting, entertaining… and jarring. Seeing her decapitate an enemy was oddly refreshing. Why?
(Spoilers below? Oh yeah.)
A few years back there was a Lego movie. It’s name escapes me right now. Anyway, the Lego movie was thought to promote collectivism and criticize capitalism. The makers of the Lego movie (whatever it was called) denied an anti-business agenda BUT… the bad guy in the film was named “Lord Business.”
Well, a few years have passed and now we have The Lego Batman Movie on our hands. Perhaps to bring a Ra’s al Ghul-ish balance to the cinematic Lego-verse, this film asserts a strong critique of police policies largely revealed through the Barbara Gordon character. Her shedding of the commissioner’s uniform (Don’t get excited, it’s a PG film) in favor of her Batgirl costume formalizes her abandonment of supposedly enlightened law enforcement policies.
In the first reel Police Commissioner Jim Gordon finds himself in a crisis: The Joker has assembled a huge bomb to blow the literal floor out from under Gotham City. Gordon does what the G.C.P.D. does best: Call BATMAN!