That’s my immediate response to the title “Perfect Blue.” Granted, there are plenty of things to like about the 1997 release from directors Hideki Hamazumm and Satoshi Kon. It gives us a great, thrilling story, following our protagonist Mina, a popstar who is forced to drop her career and pursue an acting gig to remain relevant. Though the plot goes much deeper than that, because Mima’s sudden retirement upsets a devoted fan and she begins receiving threats, obscene calls, and things take a set of extremely upsetting turns.
This film is great in the ways of mastering suspense and using very human issues to do so, dealing with the pressures of fame and the horror of cultivating an identity that someone else loves or desires to emulate to the point of self-harm or harming others. The animation is gorgeous and uncomfortable, and I mean that in the best way. Unlike “Cat Soup,” where the visual can be stunning but often nonsensical and use that to create an air of uneasiness, Perfect Blue doesn’t dance around the issue. This is one of the first on-point animation films I’ve seen that deal with horror in a great way and use every facet to its advantage. We are meant to be shifting nervously while watching this. Facial expressions are extremely distorted at points, the line between reality and fiction is hard – even for the viewer – to follow. The film features a rape scene (though one done as a recording for a television show) and it pulls no punches. It made me uncomfortable. It would make anyone uncomfortable. And it should. For these things, I’m glad that Perfect Blue exists; it pushed the genre, and it opened animated films up in ways that were dark, complex, and very gritty and real.
But for all those good things that are built up in the first three-fourths of the film, the end just throws it all out. I won’t give away the ending by any means (because it’s a great twist that I really enjoy), but the very end shows this intense progress by our main character that seems incredibly hokey when it’s all said and done. It seems like the film has built up all this sadness, all this mental instability, but they felt required to stabilize things by the end. It just felt like a cop-out, and maybe when you check it out, you’ll know what I’m referring to.
But when the rubber hits the road, Perfect Blue did a lot more good than bad for the animated world. It’s a great thriller, paced very well and using a lot of symbolism to get the job done. I would offer the small critique of it being a little over-stylized, but I would say that judgment is a tick-tack one, if anything. I would say that I genuinely enjoy this movie because of the emotions it makes you feel. Are they good ones? Absolutely not. But I can remember getting the same feeling when I watched “Requiem for a Dream,” a film that is, by design, meant to make you feel unwanted emotions. And to know that film, especially animated film, is powerful enough to accomplish that, it can do wonders for the medium and the audience that watches.
If you’d like to check out Perfect Blue for yourself, the easiest way to get a hold of it is through Netflix’s order system. But it’s also available on Amazon and even in major retail chains like Best Buy. So, if you’re looking for an anime staple to add to your collection that really packs a punch, give this film a go. It’s not perfect, but that doesn’t mean it’s not pretty darn close.